A Quote by Nick Wooster
There's something about the U.S. and Japan: two opposite ends of the planet, two completely different languages, and yet, especially in menswear, they share this kind of idealized way of dressing that is so close to what we do in America.
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The two hemispheres of the brain are two very different places and they don't share any cell bodies. They are completely separate entities.
One of my ongoing projects is to expand third-eye technology whereby two people can watch two different things on a screen or type in two different languages on the same surface - all they have to do is wear a pair of hi-tech glass spectacles.
I feel like the menswear blogger is a special breed, and by that, I mean they really have brought menswear out of the closet and into the public discourse where guys are not afraid to talk about style, dressing, clothes.
Growing up, I loved Morticia Addams and Lily Munster on one hand, and Jeannie from 'I Dream of Jeannie' on the other. Two completely different ends of the spectrum, kind of like me.
The two of you, there's something uncanny about the way you two are with each other. I mean everything--the way you look at each other, the way she relaxes when you put your hand on her back, the way you both seem to know what the other is always thinking, it's always struck me as extraordinary. That's another reason I keep putting marriage off. I know I want something like what you two share, and I'm not sure I've found it yet. I'm not sure I ever will. And with love like that, they say anything's possible, right?
It's kind of strange to be a free soloist when you know so much about flying, because I'm playing two opposite games, or practicing two polar opposite arts. One is the art of not falling. The other one is flying. With both those things spinning in my mind, there's a lot to process and it's pretty mind-boggling.
I love America and I hate it. I'm torn between the two. I have two conflicting visions of America. One is a kind of dream landscape and the other is a kind of black comedy.
There are two languages that I love: Farsi and Panjabi. Because the depth of Sufi thought in these two languages cannot be found in any other language.
For love... has two faces; one white, the other black; two bodies; one smooth, the other hairy. It has two hands, two feet, two tails, two, indeed, of every member and each one is the exact opposite of the other. Yet, so strictly are they joined together
I saw Madeleine Stowe from Revenge recently, and she totally blew me away. And growing up I loved Morticia Addams and Lily Munster on one hand, and Jeannie from I Dream of Jeannie on the other. Two completely different ends of the spectrum, kind of like me.
Moving to Dubai at age 9 and then the Congo, they were two completely opposite countries. But that brought me to music and taught me things that I never would have learned otherwise. And it was always about the rhythm in those two countries - that's why I love them.
If you know two cultures and two languages, that intermediate place, where the two don't perfectly meet, is really interesting.
Every place in the world where there are two peoples - two religions, two languages - there is friction and conflict.
There's a thing that creeps into this conversation ... that if you complain about the depiction of women [in comics], it becomes, 'Well, but ladies - the dudes are idealized too.' And the thing is that the dudes are idealized for strength and the women are idealized for sexual availability. It's very, very different. The women's costumes are cut in such a way that I could give a cervical exam to 90% of our heroines. And I don't have a medical degree! So if I can find it, that's impressive.
The two designs are completely different. The first is totally futuristic, the second is more classical. You can of course get very excited about doing something completely out of the ordinary, just like the Olympic stadium in its time. But each to his or her own taste.
With any television series - and it's something that is taken for granted with movies because you have the whole arc within two hours - you establish who the character is and it's a two-dimensional version, or if you're lucky, a two and a half-dimensional character. Once you establish that, you can move forward and break all the rules. Once the audience has accepted who the person is, then you can do the exact opposite. What makes it funny and interesting is doing the opposite.
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