A Quote by Nick Zinner
My relationship to images is always in flux... Photos I think are great can turn out to be not so interesting five years later, and vice versa. I've learned there's no thing as a bad photo - every one is a personal record of a time and place.
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It's a beautiful idea to focus on how everything is temporary and always in flux. It may feel bad now, but it will feel good later, and vice versa. To write about those things brings this satisfying feeling as a creative person.
If I'm writing a story and you're reading it, or vice versa, you took time out of your day to pick up my book. I think the one thing that will kill that relationship is if you feel me condescending to you in the process.
F8 And Be There! For years, this was the cry of the photojournalist. It meant that 90% of a great photo was being in the right place at the right time. True, it was simplistic, but in the Age of Photoshop, this maxim is too often forgotten. No matter how much you play with the bits and bytes, the best images always start out with a great vision, clearly and cleanly seen.
It's a beautiful idea to focus on how everything is temporary and always in flux. It may feel bad now, but it will feel good later, and vice versa. To write about those things brings this satisfying feeling as a creative person. There's a lot of music out there that's like, "I'm so mad! I'm sad! I'm into skulls and crossbones and the color black," and that's just meaningless and shallow. So much of metal is about that and it's hard to find metal that is substantial and meaningful in terms of its content.
We're not going the photography route. I think there is a real distinction between photos and images, and Flickr is for photos, and Instagram is for photos. You wouldn't put a filter on a meme; you'd put a filter on top of a photo that came from your camera.
I learned to read at the age of five, in Brother Justiniano's class at the De la Salle Academy in Cochabamba, Bolivia. It is the most important thing that has ever happened to me. Almost seventy years later I remember clearly how the magic of translating the words in books into images enriched my life, breaking the barriers of time and space.
I think the coach-player relationship is a two-way thing. You have to be willing to take suggestions as a player and vice versa.
If I'm writing a story and you're reading it, or vice versa, you took time out of your day to pick up my book. I think the one thing that will kill that relationship is if you feel me condescending to you in the process. And how does that happen? Well, it happens when I know more than you do, and when I know that I know more than you do, and I'm holding it back from you. So that I can then manipulate you at the end. You know, you think about like in a dating situation how terrible that would be, it's the same thing with a book.
You have to be careful when you use beauty as a guide. There are many theories people didn't think were beautiful at the time but did find beautiful later - and vice versa.
In real life, if you really enjoy somebody's company, and you have a great time with them, and then you're supposed to - becoming two lovers who are having a great time in their own fictional world, I think it bleeds into reality and vice versa.
I don't know if it's good or bad, but when I first started writing I imitated the narrative thrust of a movie. And as I worked, I learned what you can do in fiction that you can't do in movies, and vice-versa.
There’s something about seeing an adult you knew in childhood that makes them marginally vulnerable to you, and vice versa. There’s also something comforting in thinking that if they made it this far, relatively unscathed, then maybe you didn’t turn out half bad either.
I want to get us out of a place where the veterans are chastising the new artists and vice versa. I think we should all just support each other.
I have a great-great-great-grandfather who was a Confederate cavalry colonel, and I still have his military composite photo on my wall. The chemicals in the photo tint have changed over the years to the point that he looks green. One of my family members apparently still has the piece of paper that listed every thing in his pocket when he got shot.
What you think is going to be a big break or opportunity can sometimes turn into the opposite, and vice versa.
You have to be careful when you use beauty as a guide. There are many theories people didn't think were beautiful at the time but did find beautiful later?and vice versa. I think simplicity is a good guide: The more economical a theory, the better.
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