A Quote by Nicki Minaj
Paintin they own pictures then they crop me in But I will remain where the top begins
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So my go-tos are bodysuits, crop tops, I like to wear a cute little crop top, but then maybe a jazzy pant. I wear a lot of pants.
I look up to Marilyn Monroe and Audrey Hepburn and old styles. You will never see me in a crop top and hot pants - I'm more into dresses.
I have a particular pair of boyfriend jeans that I wear with Converse sneakers and, really, any kind of top, from a crop top to a hoodie. I usually go for a loose top or jacket to keep things casual with sort of a streetwear vibe.
I was digging in the backyard to get my own clay and making pottery. And then I started taking pictures and built my own darkroom. I would go out at six in the morning and just take pictures.
To an ever greater extent out experience is governed by pictures, pictures in newspapers and magazines, on television and in the cinema. Next to these pictures firsthand experience begins to retreat, to seem more and more trivial. While it once seemed that pictures had the function of interpreting reality, it now seems they have usurped it. It therefore becomes imperative to understand the picture itself, not in order to uncover a lost reality, but to determine how a picture becomes a signifying structure of its own accord.
As a physician, I know that human life begins with fertilization, and I remain committed to ending abortion in all stages of pregnancy. I will continue to fight this atrocity on behalf of the unborn, and I hope my colleagues will support me in doing so.
The one thing I never get involved with is selecting art or pictures for a client. This is a very personal thing. If the clients have pictures, I will hang them. When they do not own pictures I leave the walls blank.
"I think we'll have a good potato crop this year," a newspaper editor told his housekeeper one morning. "No such thing," asserted the housekeeper. "I think the crop will be poor." Ignoring her remark, the editor caused to be inserted in the evening paper his estimate of the crop situation. That night when he returned home he found the housekeeper waiting for him with a sheepish grin on her face and a copy of the paper in her hand. "I was wrong," she said apologetically. "It says right here in the paper that the crop will be excellent this fall."
I want to say something in a tough-love kind of way about crop insurance. Let's face it: You don't buy insurance on your house hoping it will burn down. Neither do we want to buy crop insurance and hope our crop fails so we can file.
The mind has a mind of its own. It shows us pictures. Pictures of the past and the might-one-day-be. This mind's mind exerts its own will, too, and has its own voice.
I'll wear a crop top if I'm not loving my stomach because it kind of forces me to pay attention to it and to love it, really.
Somehow Annie Flanders from the SoHo News heard I was doing pictures and was headed to Paris. She saw my worked, liked it, and asked me to take pictures for her paper while I was there, but told me I would first have to buy a real camera - 35-millimeter. I got a little book that taught me how to load film. I read it on the flight to Paris. Hours later, I found myself at the top of the Eiffel Tower with Yves Saint Laurent and Andy Warhol. It's all been downhill since then.
Peace between Israel and Palestine is a top priority for the European Union, and it will remain a top priority in our political agenda.
It would be so easy to lose the plot now. It's not about achieving something for its own sake, and taking pictures for their own sake. But to make conscious decisions and choices, and it includes this constant questioning - Why am I taking pictures? Because really, the world is... it has pictures enough. I mean, there are enough pictures out there.
Agriculture involves crop husbandry, animal husbandry, forestry and fisheries. Your income will go up only if you look at the system, and not from one crop alone.
We take pictures because we can't accept that everything passes, we can't accept that the repetition of a moment is an impossibility. We wage a monotonous war against our own impending deaths, against time that turns children into that other, lesser species: adults. We take pictures because we know we will forget. We will forget the week, the day, the hour. We will forget when we were happiest. We take pictures out of pride, a desire to have the best of ourselve preserved. We fear that we will die and others will not know we lived.
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