A Quote by Nicki Minaj
A lot of rappers want somebody to always sing on their records. If you can hold a note, they're gonna' ask you to come and be apart of their creativity. At that time, they were eager and on the streets selling drugs or in the studio making music. That was a big part of our lives were I grew up.
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At the time of 'The Epic,' as a core band, we were all spending so much time apart making music for other people that by the time we got together - even though we grew up together and there's a special connection we have - it was like a rare privilege to come together.
My dad is a huge folk music fan, so growing up, there were always records playing in my house. Carole King, James Taylor, Simon and Garfunkel, the Beatles - I grew up with this music, and I was aware of how special this music was to a lot of people.
Up until the rise of electronic music, if you were a musician in Portugal or Germany or Italy or Japan, and you didn't sing in English, you really were limited: You could be successful in the country where people understood your language. The world of electronic music is completely international. You have DJs from Finland making huge records for people in New Zealand, DJs in South Korea making huge records for people in France. By the fact that it doesn't cost anything to make, and that it transcends language, nation it accidentally accomplishes a lot of really remarkable things.
I grew up with Morecambe and Wise, they were part of Christmas, part of Easter, part of our lives. They were the top comedy act on television, watched by 25 million people.
I grew up producing hip-hop music, actually. I was producing for my friends, who were all rappers in upstate New York, where I'm from. But in the eighth grade, we had this songwriting contest in our school, and I got really excited about it and actually won. After that, I just kept making music forever.
I have a feeling a lot of the records I grew up listening to and the records I still like, as hard as musicians worked making them, I feel like they were really enjoying what they were going through. They weren't just going through the process. You can tell that with certain things that you listen to.
On the records that I grew up with and loved, every song was unique - it's almost as if you had a different journey every time - and the drums were big part of that story.
There is some sampling on my records and a lot of what I call replays, where I'd have musicians come in the studio and replay the sample from the original record. But mainly, we'd come up with our own music.
If you look at our records, I stood up to corporate America time and time again. I went to Mexico. I saw the lives of people who were working in American factories and making $0.25 an hour.
Music leaves such a big impression. I always wondered, 'Man, if I grew up in Nashville, would I be making Country records now?' I honestly feel like Chicago had such a big impact on me.
When we were making vinyl records we had a lot of time limitations for each record so songs were left off for a number of reasons. Now, with CDs, much more music can be included.
Our experience making 'Pieces,' all it did was confirm our passion for film making to ourselves. We were having the time of our lives, and we were in love with what we were doing.
It is the first time since 1993 that Russians have come out into the streets without an explicit permission from the government to do so. The main difference between the protests of 2011-2012 and these protests today is that they didn't have permits. These were - the people who were coming out into the streets were very young people, for the most part, who knew that they were all risking arrest. It's an extraordinary event.
[Big Pun] loved the fact that I could sing, everybody around us were rappers. A lot of people didn't know that Pun really, really loved r&b music.
I grew up on listening to, like, Mantronix and BDP and EPMD and Kool G Rap and Ultramag and Public Enemy and Fat Boys and Run DMC and a lot of those early records, those Rubin-era records. Those were always snare- and stab-heavy records.
In our whole life melody the music is broken off here and there by rests, and we foolishly think we have come to the end of time. God sends a time of forced leisure, a time of sickness and disappointed plans, and makes a sudden pause in the hymns of our lives, and we lament that our voice must be silent and our part missing in the music which ever goes up to the ear of our Creator. Not without design does God write the music of our lives. Be it ours to learn the time and not be dismayed at the rests. If we look up, God will beat the time for us.
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