A Quote by Nicki Minaj

I've constantly tried new things, even as a child, and have always been obsessed with pink. Now I'm just a little more ladylike and fearless. You should never feel afraid to become a piece of art. It's exhilarating.
You should never feel afraid to become a piece of art. It's exhilarating.
Obsession is such a naughty word - it's a very intense word. I'm obsessed with music, always have been. I can't lie. And I'm obviously obsessed with my child, my child's life and the little things that he does.
Even if people don't love it, I made exactly the piece of art that I wanted to make. It's super fearless - which is exactly how I feel right now. I am in a really good place.
Eventually, the more I listened and became obsessed with singers, I feel like the more I realized that I had my own little thing that I could do. So this is why I just became obsessed with looking for new singers, unknown singers, people that maybe have been forgotten, and really checking them out and analyzing what they do.
I'm not afraid of new things. I'm just afraid of feeling alone even when there's somebody else there. I'm afraid of feeling bad. Maybe that's selfish, but it's the way I feel.
When you're a little kid, you just like music that makes you happy and is fun. As you get older, you reach college or your 20s and you decide that music should be challenging and all art should be smart. So you start to think it makes you like high art more to put down things you consider low art. I don't even think things are low art.
I never cared, I was careless, Fear bein afraid or maybe I'm afraid to be fearless. Or fear bein' fearless but fearful, So even in my carelessness...gotta be careful.
My art in the last period has all been in small format, but my paintings have become even deeper and more spiritual, speaking truly through colour. Feeling that because of my illness I would not be able to paint very much longer, I worked like a man obsessed on these little 'Meditations' (a long series of small paintings he made during the last years of his life, with as main motif the schema of a face, ed.). And now I leave these small but, to me, important works to the future and to people who love art.
I'd been to Stourhead and was inspired by the perfect parity between architecture and art; in fact, the architecture is the art. I wrote a piece called 'Not Sculpture Park,' because most of these things become car parks for bought-in sculpture. The artists should be working with the site, not just plonking pieces down.
Don't be deceived when our Revolution has been finally stamped out and they tell you things are better now Even if there's no poverty to be seen because the poverty's been hidden even if you ever got more wages and could afford to buy more of these new and useless goods which these new industries foist on you and even if it seems to you that you never had so much that is only the slogan of those who still have much more than you
I've never been much of a craftsman, in an educated way. But I think just the experience of writing makes the avenues I follow a little more efficient in some ways. At the same time, when you're young, you're a little more fearless, and there's less of an internal critic.
Millennials are a bit more free-spirited, more able to go into new places, to feel more assertive and fearless about trying new things.
I was never more hated than when I tried to be honest. Or when, even as just now I've tried to articulate exactly what I felt to be the truth. No one was satisfied
All these things, social media or [smart] phones or the things that distract us from each other, are fairly new. They're all fairly new inventions, and I think we're in a stage where we sort of as a whole have gotten these new toys and we're just obsessed with playing with them. I feel like after a period of adjustment it will inevitably be a regression from where we are now.
Before 'AEnima,' we were just following our gut. There was a lot of anger in the air and we never tried to control that. But just as we mature as humans, with 'AEnima' we tried to be fueled more by spiritual ideas or more of a conscious mode of aiming things in the right place or trying to take more responsibility for our art.
I was always obsessed with being famous. I had Marilyn Monroe paper dolls as a child, and I was always obsessed with her. I've just been really driven in that direction, and none of my friends were. So, I don't know what put that bug in me at a young age.
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