A Quote by Nicki Minaj
Like to me, I did the 'Harajuku' stuff. I did the crazy stuff. And now I kind of want to tone that back, and it's not toning my personality back, it's just showing like I don't only have to do that.
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I'm trolling through the recesses of my mind for the things I did with my kids when they used to like to do things with me. They don't want to be around me now. I look back on these times - all those little funny pottery dishes that you'd pay for, and they'd paint, and they were ugly, and you glazed them, and you'd go back, pick them up, and it's like, "Oh, now I've got to put this on my desk." There's all that kind of stuff.
I did plenty of crazy stuff, but I did a lot of charity stuff. You can't stop. You want to continue to taste, and sometimes that's crazy, stupid things.
You look back at a time you idealize now and you only remember the good stuff. You tell the stories about the hard stuff and just laugh about it now. You don't remember how difficult it was to be stranded in Austin after driving 52 hours from Seattle in a rainstorm and having nowhere to stay for five hours. You remember that stuff and laugh about it now. You don't feel it the way you did back then when you were so scared and nervous and tired and hungry. We always idealize the past because we don't feel the painful stuff the way we used to.
My agents were like "Come to L.A., we've got meetings for you." I was like "No, I'm doing this now." Then my father became very ill back in England, and I didn't want to be away. I went back to England and did a bunch of crazy indie movies, all of which I loved with a passion, and none of which did any business.
Email is a mind-killer. Like, I really think getting a smartphone is the worst move I ever did in being a musician because while we've just been talking my phone's vibrated like 15 times and I only get push notifications for like two apps, so either like a bunch of houses are going up for sale right now or someone's like, "Why aren't you emailing me back?" It's just hard to stay in the moment. I can understand why people go to retreats to write and stuff like that but I don't have the time.
I did a play, back in the day, called 'Sucker Punch,' and it meant so much for me. I was 21. And I went, 'I just want to do work like that.' Stuff I believe in. And when I have compromised, I've never really felt good about it.
I slept in Uday Hussein's bed - that was just so strange. Went to Saddam's palace, was in a mortar attack - crazy stuff. And like three days later you're back in traffic on Sunset Boulevard. It's all kind of behind you, which is kind of perfect for a guy like me because I can take that and turn it into quite the tale.
I always want my shoes real clean. The front of my shoe is really like my personality, where off the court I'm kind of calm and kind of shy a little bit - low key. In the back, it's kind of crazy, just like me on the court. I love how both of my personalities are involved into the shoe.
I love dressing up. I like going out and buying some crazy stuff. I like stuff that's new, innovative and weird. I just pick out stuff that is unique and anything that I'm really diggin'. I don't really care if it's kind of out there. That's what I'm about. I like picking stuff that is really different.
When I look back at some of the Chicks stuff, it's the early stuff we did where we kind of giggle and go, 'You know what? Those were the good old days.'
I'm obsessed with great endings and crazy intros and stuff like that. I think we all are from what we've listened to and stuff, so I've always focused on great bridge melodies that just kind of naturally fit, or like a crazy ending at the end of 'Seize the Day,' something like that.
I'm not thinking about the next record really yet. I kind of want to do a bunch of stuff with Jonathan Zawada, the guy who did the album art. I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record.
I go back and watch a lot of the stuff that I did back in the day, and it was a lot of wrestling just to show that I could wrestle. And I realized that sort of stuff is sort of pointless.
The main reason for the break was a combination of travel and going back to university, which drew me into theatre more than music. I did stuff on acoustic guitar when I was traveling, filed it away and made notes, without it being musical notation. Just taped the odd thing, did a sketch, stuck it on a cassette. I thought at some point, I'll go back to it. Some of it I did use in '84-'85 when I started working in the Free Theatre in Christchurch. So it might seem like I had given up after the Pin Group, but I just went into a different avenue.
I guess I've always lived upside down when I want things I can't have. My wife actually thinks I have a syndrome called Reality Distortion Field. It's kind of like drugs, only you can't come back from it. Reality Distortion is almost a permanent condition. Things come in and they go out: Presto, chango! To a certain extent, I did that with myself. As a kid, I did want to be an old-timer, since they were the ones with the big stories and the cool clothes. I wanted to go there. Now, I guess I want to bring that with me and go back in time.
The people that are really from the hood - and I'm raising my hand right now, you can't see that - we wanna get out the hood. We don't want to go back. We don't want to gang bang, we don't wanna do none of that. We wanna make it out! Like Jay Z did. We should be billionaires and owning businesses and stuff like that.
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