A Quote by Nico Muhly
There's a lot of violence in Beethoven not explicitly suggested by the notes or in his markings, necessarily. There's just a way that it looks on the page that encourages it to be played in a certain fashion.
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There's this one photograph of guy I know named Simon. The way he's standing, the background, the way his tie's flipping in the wind-it looks good in the small version, but in the big version, he looks like some kind of Italian fashion superhero or something. Like if the fashion police couldn't handle it, they'd call Simon, wearing a big S on his chest for some kind of fashion superhero.
I just have a lot of respect for Terry and his family. He played without a mask, and his life was tragically ended. And it just means a lot to me to be up there with him and the other greats that have played that long.
If the book is second-hand, I leave all its markings intact, the spoor of previous readers, fellow-travellers who have recorded their passage by means of scribbled comments, a name on the fly-leaf, a bus ticket to mark a certain page.
In TV and film, a little goes a long way. I see the show as horror so a lot of the [violence] is suggested. But it is violent. It is gory. I don't see any need to up the gore. Just to keep it as real and visceral as possible.
Fashion wears many faces; it has the urge to belong to a group - to charm - but also the urge to be exclusive and snobbish to carve out individuality. That is the genius of fashion! Fashion is what time looks like, and it's up to us all to shape what our own time looks like. Fashion is a collaborative art form in this way... We all paint the picture.
A lot of young drummers have a tendency to really overplay. Sometimes simple is better, and the notes that aren't played between the spaces are bigger than the notes that are.
Its [Communism's] unfortunate association with violence encourages a certain evil tendency in human beings.
I have 800 books of just Samuel Beckett's work, tons of his correspondence, personal letters that he wrote. I have copies of plays he used when he directed, so all of his handwritten notes are in the corners of the page.
Spectators around the world enjoyed watching Seve, but talking to a lot of the players, he made such an impression on them the way he played, and the way he was such a beautiful, natural talent. His hands on the club. His address position. He had an unbelievable way of telegraphing through his countenance what he was going to do with the ball. It was just like an artist.
It is out of fashion in these days to look backward rather than forward. About the only American given to it is some unreconstructed Southerner, who persists in his regard for a certain terrain, a certain history, and a certain inherited way of living.
Economy: that what you played had to have meaning, not just a bunch of sixteenth notes. You learn to make better choices of notes as you get older.
There's a lot of guys that made big money in wrestling because they just projected such a realistic character. And they weren't necessarily great athletes. Junkyard Dog played football, Junkyard Dog the wrestler, mechanically in the ring he was just not that good. His gift was, unbelievable work on the mic. He had charisma coming out of his ears.
For people in neighborhoods where violence is prevalent, violence becomes a way of dealing and coping with their lives. No matter how wrong it is, violence doesn't necessarily mean they're bad people.
Let us not forget that violence does not live alone and is not capable of living alone: it is necessarily interwoven with falsehood. Between them lies the most intimate, the deepest of natural bonds. Violence finds its only refuge in falsehood, falsehood its only support in violence. Any man who has once acclaimed violence as his method must inexorably choose falsehood as his principle.
I once took a ride to the beach in L.A., and all along the shore there were all these so-called jazz places. And I saw these college guys and session players playing this fusion Muzak stuff. It was just a lot of notes, and the more notes they played, the more it kept them from expressing anything. So I came back home and got out my Zeppelin albums.
I think there's just certain lyrics and certain forms of hip-hop that definitely rang true, again, to a lot of people's truth, but you don't necessarily want to hear someone using that as a just kind of a in-the-moment, fun, careless expression.
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