A Quote by Nico Santos

I don't think people should be afraid of portraying people with accents, especially Asian accents. — © Nico Santos
I don't think people should be afraid of portraying people with accents, especially Asian accents.
People are very ready to criticize other people's accents. There's no correlation between accents and intelligence or accents and criminality, but people do make judgments.
I find it terribly distracting in movies when people do accents, I must say, unless it's terribly serious and the story is rooted in South Africa and you're doing a South African accent. But in period movies I think nothing can be more distracting than people doing accents.
I do believe that there are African Americans who have thick accents. My mom has a thick accent; my relatives have thick accents. But sometimes you have to adjust when you go into the world of film, TV, theatre, in order to make it accessible to people.
People have asked me why are Australians and Brits so good at American accents, and it's quite simple. We grew up listening to the American sound on our TV. That's why American actors have a hard time with foreign accents.
German accents and Hassidic accents aren't that romantic. They're more harsh. Although Hebrew, when spoken by certain people, sounds beautiful. There's this beautiful woman I know who speaks Hebrew, and when she speaks, it's so attractive. Maybe it's who's speaking it.
I do accents. Sometimes when I've had a few drinks, I speak in different accents all night long, and then at the end of an evening someone will say to me, 'Seriously, where are you from?'
Something I realized when I moved to America: people get these general American accents, but when they get angry or upset or excited, their original accents come out. It's something I noticed with my manager, because he's from New York, and the first time he got angry, he suddenly had this accent.
I think people are really picky about English accents. When a Brit comes over here and kind of does an OK American accent, everyone's like, 'You were great! Fantastic!' But in England, even if you were doing a pretty good accent, they're like, 'But where are you from?' 'London.' 'What part of London?' Accents are really precious over there.
I can do Shakespeare, Ibsen, English accents, Irish accents, no accent, stand on my head, tap dance, sing, look 17 or look 70.
Over the last 50 years or so, we have seen an increasing cultural diversification across the country. Accents are a reflection of society, and as society changes, so accents change.
When I was younger, I just liked the sound of different accents, and I used to just play around to see if I could do things. I hear accents like music, so that's what helps me to learn them.
Language and accents govern so much of how people think about other people.
When you're traveling constantly, every day you become inspired, and it shows in my work, sonically, lyrically, visually. Conversations with women with different accents and stories told in those accents. I like to create characters based on different people I've met, and relationships. I like to tell stories loosely based on real-life events.
For a long time a lot of people thought I'm British, because I'd done so many roles with English accents. People probably still think it. Or they don't think anything.
I came to realize,people who had Chinese accents will continue to have Chinese accents in America are treated as being stupid or not as intelligent as an English speaker who is fluent with an American accent - I came to realize why. But it's always fascinated me how quickly you can change where you stand with another human being just based on how you speak.
Americans aren't good at accents, but the English are because their accents change. You go five or six blocks and the accent is different, so they are used to hearing different pitches. In America, you gotta travel maybe 10 states before you can really hear a difference.
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