A Quote by Nicola Roberts
I'm one of those people who likes to be the only redhead in the village.
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People aren't stupid. People wanna see good movies, especially comedies. Those by the books comedies, I don't get it. Who likes those? Nobody likes those.
I'm not really a redhead, but I keep playing these redhead actresses. Which I don't mind; I think it's fun.
You need a village, if only for the pleasure of leaving it. A village means that you are not alone, knowing that in the people, the trees, the earth, there is something that belongs to you, waiting for you when you are not there.
Bear heard Rose in the background saying, 'Why thank you, Mr. Fish.' 'Good redhead. Helpful redhead,' Fish returned.
It would be fun to be a redhead... you can get away with being, like, really volatile and fire-y because you're like, 'I'm just a redhead; what can I say?'
No one likes the Electoral College, expect perhaps those who were elected because of it. No one likes gerrymandering, except those doing the gerrymandering. No one likes the filibuster, except those doing the filibustering.
I used to live in a village, and I always loved listening to old people. Unfortunately, it was always women who were talking, because after the war, very few men were around. I spent my entire life living in the village. The village is always talking about itself; people are talking to each other as the village makes sense of itself.
Ezra Pound still lives in a village and his world is a kind of village and people keep explaining things when they live in a village.... I have come not to mind if certain people live in villages and some of my friends still appear to live in villages and a village can be cozy as well as intuitive but must one really keep perpetually explaining and elucidating?
I grew up in Ditchling. It was an idyllic village at the foot of the South Downs. In those days, the village was full of artists and sculptors.
I grew up in a village after the war, and in the village, there were almost only women.
The working-class is now issuing from its hiding-place to assert an Englishman's heaven-born privilege of doing as he likes, and is beginning to perplex us by marching where it likes, meeting where it likes, bawling what it likes, breaking what it likes.
Give the villagers village arithmetic, village geography, village history and the literary knowledge that they must use daily, i.e. reading and writing letters, etc.
I grew up in a small town, I was the only redhead other than my brother.
People would go from village to village with their books in a time of poverty and disease. They would get people around them, and for an hour, these storytellers would change people's lives. I'd always thought I was a reincarnation of that. That's who I want to be.
I'd spent my first 12 years in New York in an East Village walk-up. The upstairs neighbor was the cowboy from the Village People.
A key text for me is James Baldwin's essays. And, in particular, his essay Stranger in the Village. It's a text that I've used in a lot of paintings. The essay is from the mid-'50s, when he's moved to Switzerland to work on a novel, and he finds himself the only black man living in a tiny Swiss village. He even says, "They don't believe I'm American - black people come from Africa." The essay is not only about race relations, but about what it means to be a stranger anywhere.
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