A Quote by Nicola Roberts
People called me Cilla when I was little because I was always singing and writing poems.
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I came from a very musical family, so I grew up singing karaoke with the family. My family said 'do this' and brought me to singing lessons. I had always been writing poems and songs.
My days are filled with work I love - reading poems, writing poems, talking with people about poems, teaching, directing a writing program, hosting readings, etc.
I always wrote poems when I was a little girl, and I loved hip hop music, and I kind of just started writing poems over beats, and that's when I started rapping.
When I worked on a magazine, I learned that there are many, many writers writing that can't write at all; and they keep on writing all the cliches and bromides and 1890 plots, and poems about Spring and poems about Love, and poems they think are modern because they are done in slang or staccato style, or written with all the 'i's' small.
I do bring my teaching together with my writing. I make students write in class, and do the same prompts I give them. I'm always on the lookout for teaching poems - poems that inspire me and my students to write poems in response.
I remember I was very taken with a book called DreamTigers by [Jorge Luis] Borges. He was at the University of Texas, Austin, and they collected some of his writings and put them in a little collection. It's called DreamTigers in English, but it doesn't exist in Spanish. It's a little sampler. But that collection in English is what struck me, because in there he has his poems, and I was a poet as well as a fiction writer.
At times of crisis or distress, it's poems that people turn to. (Poetry) still has a power to speak to people's feelings, maybe in a way that fiction, because it works in a longer way, can't. There's a little bit of your brain that mourns and grieves that you're not writing poetry, but actually as long as I'm writing something, I'm happy.
When you begin to write poems because you love language, because you love poetry. Something happens that makes you write poems. And the writing of poems is incredibly pleasurable and addictive.
To me, writing is a matter of voice. I think like that. The expression I sometimes use to myself is 'actual song.' That what I do is somewhere on the line between speaking to you as I am now and actual song. And the things I love when I say one of those poems to myself - it's a little bit like singing, it's a little bit like speaking.
If the motive of writing is for some people a kind of exercise in dirty laundry, that's one thing. I've always thought of my poems as meant to be overheard, as I think all of these poems are. It seems to me if you get experience right, even your most painful or humiliating experiences - if you get those experiences right for yourself and make discoveries as you go along and find for them some formal glue - they will be poems for others.
The act of song writing and recording became one and the same to me; because I essentially recorded everything I did from the day I began trying to write songs. I've always had a lot to say. I'd always written poems.
Writing for me is an ongoing practice of facing and countering fears. And so, in that sense, I have always been responding to phobias. I am often most surprised by the writing that comes from facing fears that strike closest to home, poems that explore internalized phobias about gender identity, sexuality, and the body, poems that struggle with a question like do I deserve love?
My poems are certainly in the lyric tradition, but perhaps a reader can tell me more precisely who I am as a poet. How can I be so old and not know? I have always been deeply grateful for the urge to write, the desire to create, that's certain. Writing has always been the way I make sense of life. Perhaps my poems define me, rather than the other way around. They do constantly surprise me.
I have always loved writing and I used to pen down my thoughts, little stories and poems growing up.
The day after the president Trump election, I remember feeling like it was 1984 again. It was in the air somehow. That ownership of bigotry. I hadn't seen it since I was a kid. It made me want to change the kinds of poems I was writing, but I'm terrible at writing overtly political poems.
Southern poets are still writing narrative poems, poems in forms, dramatic poems.
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