A Quote by Nicola Roberts

It was weird. I joined this band because my life was all about singing. Then Girls Aloud became successful, and suddenly it wasn't just about being able to sing any more. It turned into a beauty contest.
That was exactly why people didn't want to give us any kind of life, because we were threatening their status quo, and they just didn't want to have room for girls playing rock 'n' roll. It bothered them. First, people just tried to get around it by saying, "Oh, wow, isn't that cute? Girls playing rock 'n' roll!," and when we said, "Yeah, right, this isn't a phase; it's what we want to do with our lives," it became, "Oh! You must be a bunch of sluts. You dykes, you whores." That's what it became. Then it became a name-calling contest.
I think it's important to be able to write stuff that's personal to you and stuff that you'll really be able to understand what you're singing about and be able to truly sing it. Because if you're singing a song that someone's written for you and you really can't relate to it, it's hard to sing that song.
For me, I just want to sing about life. And since I come from a spiritual background, I turned to jazz, because I feel it's still sacred, like gospel. It's serious music, but it allows room to sing about so much other stuff as well.
. . . the whole idea of WHAT HAPPENED WAS.... is not about dating. It is more about people who are not committed to who they are or are indifferent about their life in general, which is how I felt about myself when I wrote it. I had turned 40 and I was unhappy and I wanted to write about that. Dating just became the framework. . . . I like all those fringy, weird, nonverbal, quiet, tiny little things, those powerful interchanges between people, things that go unsaid, that people know are happening all the time but nobody wants to talk about. That's what I want to make movies about.
Before Rocky III, I was minding my own business, there was a Tough Man contest. I won that contest two years in a row and I didn't win because I was the toughest, the roughest or the baddest. I won when I was training for the contest, I told my pastor "They're having a contest and when I win the contest I'm a give you the money so you can buy food and clothes for the less fortunate people in the community." That was what Mr. T was about, that was back in 1979. I didn't have a car then but that's what I'm about.
I felt that we started to go through the motions. Our hearts weren't there. Because we were always working on the band, and it became more about selling records than about writing and being passionate. That's why I ultimately lost interest. I don't want to speak for everybody, but I personally started to lose interest because we were doing it for the wrong reasons. It became monotony and it just wasn't fun anymore. Yeah, an obligation.
And it's not just black people. That's the other thing about this issue, it's conflated with just black and white and it's not that at all. It's diversity, it's something that looks more like the landscape of the country. And it's not about then we get the statues we deserve, it's not that. It's that everyone should be able to participate in this silly contest, which is how I feel about it.
There's something undeniably oxymoronic about a 'successful' rock n' roll band. Who wants to hear a bunch of success stories whining about their success? More importantly, what can be the drive behind a band, what can they have to rage against when they are successes? That's a dichotomy every successful band wrestles with.
We've gone through just as much stuff as any band. We just don't choose to sing about it. Well, maybe we do choose to sing about it.
I'm sure that a lot of women and men feel differently about it, but for me this isn't about being the girl in the band... it's just about being IN the band, if that makes sense? We're trying to keep it in a pure and genuine place for us and not break it down to gender, because it's just a bit boring and obvious isn't it?
I was never trying to be the voice for anybody else. I was just trying to sing about what I was going through, and was singing about those things specifically because I knew there was an audience not being served.
I didn't understand that I could sing until I was like 11 or 12. My mom heard me singing around the house and she said, What are you doing? You really can sing! So then I started going to school and singing to the girls.
I find it sad that people think it's a political, gender-bending thing, because, really, I'm just singing about guys. There's a million guys singing about girls, and no one makes a big deal of it.
I just really need to sing and sing and sing and not worry about writing. Just by singing for pleasure, your voice takes you to what it wants to sing. And that is how the best stuff kind of emerges.
Before I was in Girls Aloud, I wanted to be a nanny. But then Girls Aloud started and that ruined that dream!
What I think has been wonderful about my life is that it has been diverse, and that I've been able to do so many different things. I was able to evolve from modeling into acting. And then when acting opportunities became limited because of my age, I was able to become a writer and director and author. So, I am grateful to myself that I didn't just sit around and become nostalgic about the past that has been and can't come back, but that I instead decided to move on.
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