A Quote by Nicola Roberts

We were put together by the public, they voted for us to be in the band. So we were very much the public's band. — © Nicola Roberts
We were put together by the public, they voted for us to be in the band. So we were very much the public's band.
Power is the thing that holds a band of perception together, and a band of perception is life for those who perceive in that band. If the band of perception were to go away, they would not exist.
We were very effective, and I was very effective, in shaping public opinion around my campaigns. But there were big stretches, while governing, where even though we were doing the right thing, we weren't able to mobilize public opinion firmly enough behind us to weaken the resolve of the Republicans to stop opposing us or to cooperate with us. And there were times during my presidency where I lost the PR battle.
I met The Beatles while we were playing in Germany. We'd seen them in Liverpool, but they were a nothing little band then, just putting it together. In fact, they weren't really a band at all.
I finally got to junior high and I got to start saxophone. There were a few of us that were in the beginner band in sixth grade that made it to the advanced band, which was called the morning band at our junior high school in Staten Island.
I never thought of us as a punk band, a metal band, or a new wave band. Just as a band band.
My first contract was in 1965. There were six of us in this band - my band before Deep Purple - six in the band plus management, and the entire royalty rate was three-fourths of 1 percent.
I was in a rock band; I was my own folk singer; I was in a death metal band for a very short time; I was in a cover band, a jazz band, a blues band. I was in a gospel choir.
Every good band in the world was a cover band first. The Beatles were and the Stones were. Everybody was a cover band.
I did exactly what I wanted to do. It was always my intention to put a band together and be a band and not be about the solo pop guy. That was never me. All of the musicians that made me do what I wanted to do were bands. I didn't see it any other way.
Well, a sort of epiphany: I was in a great band. And it's very cool to be at 53 and realise that when you were a kid you were in a great band.
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
I said that the only way I could have a band that would work in the format of my show is if the band were crap. So if I have a band they'd have to really suck.
The Animals were their own worst enemy. The Animals were a band that couldn't live up to their name. I was the singer in the band and as long as I was enjoying myself I would keep on working with the band. But it got to be rather nasty once the big money showed up - things started to turn toxic.
For me personally, and as a band, there are a lot of challenges. Being in a band is like war, it's a battle - to focus, to really put together something that's formidable and then keeping everything together.
Michael Sunday and I are the original members of the band. We first did it just for charities and benefit concerts. It was very ad-hoc, and before we knew it, we were really a band. We went through several drummers and guitarists before we were happy with the line up.
The Animals were their own worst enemy. The Animals were a band that couldnt live up to their name. I was the singer in the band and as long as I was enjoying myself I would keep on working with the band. But it got to be rather nasty once the big money showed up - things started to turn toxic.
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