A Quote by Nicola Roberts

In an arena, with Girls Aloud, it's a big production and you don't have time to talk to the crowd about the songs. — © Nicola Roberts
In an arena, with Girls Aloud, it's a big production and you don't have time to talk to the crowd about the songs.
Before I was in Girls Aloud, I wanted to be a nanny. But then Girls Aloud started and that ruined that dream!
Most of my friends are straight dudes. I talk to them about girls. I don't talk to girls about girls; I don't talk to gay girls about girls.
I love love songs. But I love pop music as well: Girls Aloud, Kylie, the Spice Girls, East 17, Mika.
I love the Girls Aloud songs and get messages from fans asking to hear them performed live again.
Every time I get in front of an audience, I do the best I can. I really don't look at it like, you know, 'This is gonna be this crowd, or that crowd.' If anything, I think about the demographics only because of what songs will entertain more than others.
'Little Princess' was the first big movie that I did in America with big stages where we had kind of a different schedule to work. We had a great production designer, Bo Welch, and we had time to think about the movie in pre-production.
I'm not really interested in rappers who talk about rap. I don't talk about it, and I don't like listening to other people talk about it. So I stick to the things that I know. You know, things like cars, ultimate fighting. I have a lot of songs about cars, because they're a big part of my lifestyle.
I talk to myself. It's my worst habit. I often muse aloud, or, when people drive me crazy, I curse them aloud. I might do a ranting monologue about how pissed off I am about them, occasionally forgetting that they might still be in the room; now, that's weird!
I'm a big fan of new production techniques and new sounds. That's kind of what has been my focus out here; making sure that the songs can stand away from the production, however it's produced.
If I talk to a woman for more than five minutes I can tell you exactly whether she's an Aidan girl or a Mr. Big girl. Aidan girls are more interested in nurturing relationships and building a nest while Mr. Big girls are more about show and having fun.
Boys and girls in America have such a sad time together; sophistication demands that they submit to sex immediately without proper preliminary talk. Not courting talk - real straight talk about souls, for life is holy and every moment is precious.
The 'Hey Monday' songs were always glammed up to be this big production, and I definitely want there to be some bells and whistles like synth or drum loops, but for the most part, I want a simple yet powerful production.
DJ-ing itself is not just about playing songs. The art of DJ-ing is presenting new songs to the crowd that they haven't heard before and creating a party vibe that's different than just listening to anybody's playlist. It's the only way to truly be big and respected in your craft.
I don't hide anything about my life, I talk about everything. I talk about it - all kinds of things. I've done songs about bad experiences, a couple about growing up in the ghetto and being abused, sexually. Being raped. And I talk about it.
People can hear my songs are coming from something real. I mean what I say; I'm not just writing to impress critics or young girls, or older girls. The way I talk is the way I write a song.
I'm so excited to be appearing in 'Peter Pan.' It really is an extraordinary production, the like of which Wembley has never seen before. It's a big, bold arena extravaganza and festive treat with something for everyone.
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