A Quote by Nicola Walker

My dad always jokes that if I ever write an autobiography, which I'm not going to, it'll be called 'It's Tough in the Middle.' — © Nicola Walker
My dad always jokes that if I ever write an autobiography, which I'm not going to, it'll be called 'It's Tough in the Middle.'
Most people write a lot of autobiography, but when I came to write autobiography I discovered that nothing interesting had ever happened to me. So I had to take the situation and invent stories to go with it.
Yes, one uses what one knows, but autobiography means something else. I should never be able to write a real autobiography; I always end by falsifying and fictionalizing—I’m a liar, in fact. That means I’m a novelist, after all. I write about what I know.
Jokes rot. They're not like songs. I always envy singers - Sting is always going to sing 'Roxanne'. But people want to hear new jokes. I've written jokes as good as 'Roxanne', I believe. But I can't tell them again.
I won't ever direct a film. And I certainly won't write an autobiography. Only self-obsessed people want to write or talk about themselves!
'Panto!' is basically my life. It's not a comedy drama; it's a documentary. I was going to write an autobiography, but I thought I'd write this instead.
If I ever wrote an autobiography - and I won't - it would be called 'Don't Google Me.'
You have comedians who just do jokes, and they're called comics, not comedians. You have comedians that do bits - a person that has a lot of jokes that have a beginning, a middle and an end, but it's not a real story. And you have someone that does great stories, the one that blends those things together - that person is doing comedy.
I try not to write jokes that are mean. I try my best to write jokes that are pretty universal and jokes that don't attack anyone. I know I often fall short of that and end up taking unfair swipes at people, but I try not to.
Tweeting is a great way to practice writing jokes, but there is so much more to comedy writing than just jokes. Jokes are a necessity, but you also have to learn how to write characters, to break a story, to keep coherence between episodes. I've learned more by being a TV writer than I ever could've on my own.
When I read it ["Tough Guys Don't Dance"], I don't wince, which is all I ever ask for a book I write.
The first paying voice-over gig I ever got was for a company called Harvard Community Health Plan, which is a Boston-based New England health care provider. I inherited a deep, gravelly voice from my dad, who has always claimed that if I ever get injured, he'll just take over for me.
If I ever write an autobiography, 'Hilariously Unhappy' could very well be the title.
I write fiction and I'm told it's autobiography, I write autobiography and I'm told it's fiction, so since I'm so dim and they're so smart, let them decide what it is or it isn't.
I actually write some pretty tough jokes. I don't want to push the "soft" angle too much.
You can write jokes at any point of the day. Jokes are not that hard to write, or they shouldn't be when it is literally your job.
When the going gets tough, I'm not always sure what you do. I'm not saying that I know how to fix everything when the going gets tough, but I do know this: when the going goes tough, you don't quit. And you don't fold up. And you don't go in the other direction.
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