A Quote by Nicola Walker

In this industry, people like to look at different faces on their screens - even I do. — © Nicola Walker
In this industry, people like to look at different faces on their screens - even I do.
I cannot stress enough that the answer to life's questions is often in people's faces. Try putting your iPhones down once in a while, and look in people's faces. People's faces will tell you amazing things. Like if they are angry, or nauseous or asleep.
You go to a restaurant with a friend for lunch and the next table, two people are sitting opposite each other. They don't talk! All they do is look at the screens of their cell phones and show it to the person that they're with. And when people do that to me, they want me to look at pictures on their cell phone? I can't even look at little things like that. I think it is all crazy.
I think I just have one of those faces that can look like lots of different people.
I hope that when people see Asian women, they realize we are all different. A lot of time with Caucasian people, they just group us together as Asian. But even with different cities in China, people have different personalities... We look Asian, but we still look different. We don't look the same.
Android phones are sold by dozens of hardware makers, the biggest being Samsung, Motorola, and HTC. There are lots of different form factors. Slider phones. Phones with keyboards. Big screens, small screens, midsize screens.
I read something about, "Why do actresses get plastic surgery," we like to look at pretty people, but I don't. I like to look at all faces, young, old.
You know, he would go and look at different funny books because he wanted his character to be different and make different faces. I saw a funny book in his room and it looked like the same character he was playing. It was about a duck.
Very often the people who are shooting your film do not look like you if your film is brown-centric in some way. What is very interesting is to be going through these scenarios and turning around and looking at so many faces that are not yours. Even though those faces are looking at you in love, it puts you in a space when you are on a plantation in that condition. I think that it allows you to see further into possibly what that place really was for someone else, except thank God we're with people who love and respect us.
When you have a few billion people connected with screens, not voice... screens are important. You can transmit a thousand times more information.
In my industry, it's important to have people I look to for different things: guidance, inspiration and motivation.
If you look at history, and if you look at all these different things that have threatened the movie industry - from Betamax tape to DVDs to the Internet - in the end, it has always turned out right, because ultimately people want to see that stuff.
I believe that if we want to change our industry we must look beyond what we see on our TV screens and fix the bigger problems lying beneath. When it comes to racial diversity that means looking at who commissions and makes the programmes.
That makes a difference when you have all these Asian faces running then getting elected. You have some 30 people, many of them Democrats, running for Congress. When the community sees the other faces who look like them can run and win, I think it encourages them.
When you look into the faces of these quiet creatures who don't know how to tell stories--who are mute, who can't make themselves heard, who fade into the woodwork, who only think of the perfect answer after the fact, after they're back at home, who can never think of a story that anyone else will find interesting--is there not more depth and more meaning in them? You can see every letter of every untold story swimming on their faces, and all the signs of silence, dejection, and even defeat. You can even imagine your own face in those faces, can't you?
Looking at virtual reality through computer screens, video game screens, and above all television screens is a denial of personality development. It's a denial of socialization, of expansion of vocabulary, of interaction with real human beings.
I like characters with character, not just pretty faces. Anyway, I think people can be both grotesque and beautiful at the same time. Look at Mick Jagger in the seventies. Look at Angelina Jolie.
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