A Quote by Nicola Walker

I noticed that, on 'Spooks,' there were a lot of women behind the camera and in different departments. — © Nicola Walker
I noticed that, on 'Spooks,' there were a lot of women behind the camera and in different departments.
It was really unusual that the crews on 'Spooks' were a real mix of men and women, and you'd struggle to see many women with parts that weren't cliched back in the late '90s.
It doesn't matter if they're in front of the camera or behind the camera. I know women who are producers who are surviving on nothing but juice and almonds.
We need women behind the camera like we do in front of the camera. That's when we will have stronger, smarter, better roles for us.
There's always been a shortage of roles for three-dimensional women, no matter what age. If you look at the statistics on women in film, be they behind the camera or in front of the camera, and it's pretty nauseous-making. It always has been.
Women are making strides in many areas and women have mentored and supported me along the way. I think that women are underrepresented behind the camera as directors.
Women like to take their clothes off. I noticed that. Especially in front of a camera. Or a mirror.
The '80s were a time of technical wonder in filmmaking; unfortunately, some colleges didn't integrate their film and theater departments - so you had actors who were afraid of the camera, and directors who couldn't talk to the actors.
They had some really cool rigged cars and things that were different that they would tow behind the camera car that were actually on these trailers that manipulated side to side and stuff like they were getting hit, and actually put the actor right in the middle of the chase.
We need to have more conversations about representation as well as the imbalance in terms of needing more women behind the camera and in front of the camera, and the diversity factor.
I want to be the person who eventually doesn't have to be in front of the camera. I can be behind the camera and really change things cinematically, and this is giving me an opportunity to do something behind the camera, which I really want to maximize.
Filming 'Doctor Who' is so incredibly different to 'Spooks.' Near to the surface, there's quite a silly atmosphere. A lot of the times, you're on the verge of giggles because it's so over the top.
I'm really into both sides of the industry - in front of the camera and behind the camera. I love the business side of it; I love all of the contracts and negotiating and the different connections that you can make.
'The Martin Show,' the 'Jamie Foxx show,' 'Living Single,' 'The Wayans Brothers,' 'Hanging with Mr. Cooper...' Some of these shows were good, some were typical television, but they facilitated a lot of work for blacks in front of as well as behind the camera. A lot of us in Hollywood thought it was the beginning of a real racial breakthrough.
I've discovered that being behind the camera is more fascinating. If I had to choose a profession today, it would have been something behind the camera.
When I grew up, it was a time when women were just supposed to be cute and not have many opinions. My mother and her friends were quite different. They were all the most beautiful women you've ever seen ... and they were very strong women.
The reality is, because of access to film, you don't have a lot of black people who want to go behind the camera. We raise our children to want to be in front of the camera and shine, and that's on us.
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