A Quote by Nicolas Anelka

We need to show character whenever we concede a goal and try to make a comeback. — © Nicolas Anelka
We need to show character whenever we concede a goal and try to make a comeback.
Whenever there is a new song out, we'll sometimes try to rehearse a celebration so when one of us scores a goal, we can celebrate it together. I find this a nice thing between team-mates to show the friendship between us, and I try to do this whenever I can.
I never want to play a show where it feels overly programmed, processed, and all that. For anybody that comes to one of our shows, the goal for me is to make sure that's their show. That nobody else is going to see that show ever again. You know what I mean? I try to make it different every day.
I let the comedy come through the character and just try to make sure that everything is kind of rounded in a truth, in a reality, because that's what I need to make a character work.
We cannot take responsibility for every goal we concede, we all need to do our part across the field to ensure we win as a team.
My goal is to defend our goal, save shots and not concede goals. But one thing that could happen is to score a goal from my penalty box to the other box directly.
I think if you make a show where you try to make a character look good, not only is it kind of weird, but it's sociopathic.
You can make loads of great saves, but if you concede, it's, 'That's what we will show the world.'
I think whenever you have a common goal with someone, you're going to bond. It's really hard to get two people together and be like, 'Hey guys, why don't you just bond!' But if you say, 'Listen, I need you guys to build this house, or I need you to do this or I need you to make this movie,' you'll get to work and you'll get close.
If a character is supposed to be hated, my goal is to make her the most hated person on the show.
Our goal isn't to make money. Our goal absolutely at Apple is not to make money. This may sound a little flippant, but it's the truth. Our goal, and what gets us excited, is to try to make great products.
Whenever I do something, particularly if it's a cameo, I make sure that I have a backstory written out so that I can talk to the director intelligent and try to communicate a three-dimensional character.
It is never good to concede a goal; it is part of our job not to concede, just as it is part of our job to score.
There is a clear goal and it isn't to make money. The goal is to desperately try to make the best products we can. We are not naive - if you trust it, people like it, they buy it and we make money. This is a consequence.
I believe in method acting. Whenever I'm working on a character, I start behaving like him. I start doing these things which the character would normally do. Maybe that's the way I function as an actor, and I believe in it. And that's how I try and portray a character.
Whenever you try to work through the things that we're trying to work through, that we're addressing, it ends up looking negative. Our goal is nonjudgment, nonfiltered acceptance of everything. So much of our background collectively, especially in the United States, is denying and suppressing and disowning a lot of negativity and the darker areas. You can become swallowed up in it. It's cancerous. The goal should be to define acceptance for everything. To try and consider every aspect. To try to look into the shadows, as well as the light.
'The Comeback' is my favorite TV show of all-time because it's just brill. It's Lisa Kudrow's show about what it's like to be an actor on a TV show. She's so amazing on it.
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