A Quote by Nicolas Cage

I cry a lot. My emotions are very close to my surface. I don't want to hold anything in so it festers and turns into pus - a pustule of emotion that explodes into a festering cesspool of depression.
My mother said I was always an intense child, a very sensitive child. So that probably helped the emotions to be very present. I was just a big thinker. I would evaluate and analyze and feel and cry and discuss and be angry. All of those emotions were very surface for me.
When you're acting and you need to cry, you want to put yourself in a position where you're trying not to cry, because that is generally what people try and do. They try to hold on to their emotions, they don't want to lose them.
The thing about kids is that they express emotion. They don't hold back. If they want to cry, they cry, and if they are in a good mood, they're in a good mood.
Sometimes when we touch..The honesty's too much, and I have to close my eyes and hide. I want to hold you till I die, 'til we both break down and cry, I want to hold you till this fear in me subsides.
A lot of guys are walking around with a lot simmering beneath the surface, and sometimes it explodes.
For both the offender and the victim, the pain is there, often unacknowledged and that is when it can cause harm through festering. When I ignore a physical wound, it does not go away. No, it festers and goes bad.
The humor and emotion of the 'Do You Want to Build a Snowman' theme makes me cry every time I watch it, and that deep emotion is something we'd love to do on the show. If we can make you cry, we always try to. And 'Once,' when it's at its best, is emotional and fun.
I want to make the audience laugh and cry within ten seconds, to show just how close those emotions are.
I try not to cry in front of people that might get very emotional. I try to cry by myself. When I'm in a comfortable place, I don't hold anything inside. I just let it out, and I feel better afterwards.
Cry Baby is very close to my heart. I feel like I am her in a lot of ways. I want to continue making music from her perspective.
I don't like to define my music. To me, music is pure emotion. It's language that can communicate certain emotions and the rhythms cuts across genders, cultures and nationalities. All you need to do is close your eyes and feel those emotions.
You easily close yourself off to certain things because you want to seem like you know it all, or you're not weak - emotion is often confused as weakness - so when emotions are undeniably physically affecting you, I think it's a gift.
I have deep emotions about the American people. If I were to cry for anything, I would cry for them and the policies that they're about to face.
Some people say, "Sometimes I have violent thoughts, what can I do?" So I say, "Well, have them!" Cos we should not try to control ourselves. It's very bad to control ourselves in this sense. If you have any emotion at all, if its a bad emotion or good emotion, think about it, you should just understand that you have those emotions. And it's good because we are people and we have all these emotions. And the result of that is you would become more and more peaceful. If you don't let those emotions be inside of you then you become extremely violent.
There's a lot for us to achieve and a lot more music to explore. I'm not saying we want to start doing experimental prog or something, where it turns into elevator music after a few records, but I don't think we've even scratched the surface.
When you sing opera you are very far from the people, you are onstage, and between you and the people there is the orchestra. So you have to launch your emotions very, very far. When you sing pop, you are singing very close - the microphone is very close to your mouth. You can whisper your emotions into the microphone.
This site uses cookies to ensure you get the best experience. More info...
Got it!