A Quote by Nicolas Cage
I think that movies can help guide us through those experiences [the problems that are happening in our daily lives, the stresses between countries, the economy and global warming]. I think all art tries to grapple with, redefine, come to terms with, express what's happening now when it's working. You can be entertained, but you can also be stimulated to think about things.
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I'll keep this as nonpartisan and diplomatic as possible - but for those of us whose heads are kind of spinning off and are really engaged in what's happening right now and trying to effect change where we can, when we can, I think we also need to express ourselves and express our anger and also find joy in things like The Golden Girls right now.
The interesting thing is, everybody focuses on the global warming as an environmental issue, as something outside our daily lives. But actually the impact of global warming is with us today. Communities are suffering. Communities in poor countries are the ones paying the price, they are not the ones who are polluting, and we need to help them adapt.
It is upsetting that many people don't seem to observe what's happening to the environment, what's happening in terms of global warming, the loss of habitats and wild things.
We should be treating, I think, the whole issue of climate change and global warming with a far greater degree of priority than I think is happening now.
My philosophy involves imaging terrible things happening all the time, and getting used to it, so reality isn't so bad. And then you're always happy. You really just have to think yourself through it. That is how I've been able to come to happiness, but it is a subtle difference between scaring yourself all the time with terrible things happening, it's more about actually about making peace with it. That's my advice.
Climate scientists think of nothing but climate and then express their concerns in terms of constructs such as global mean surface temperature. But we live in a world in which all sorts of change is happening all the time, and the only way to understand what climate change will bring is to tell stories about how it manifests in people's lives.
Well, I think that when you think about the challenges we face, these are challenges that require us to look forward and not backwards. When it comes to the economy I think we have to recognize that we are now in a global economy. And that the measure of our success is: how well are we training our workers? How well are we investing in the new energy economy?
Global warming is real. It is happening today. It is being charted by our satellites. It is being charted by our scientists. It is being charted by those of us in this body, and I think the real key is if we are ready to admit that fact and take the action to make the necessary conversion.
A lot of the people in history who I really admire lived before the hyperinformation age we're living in. Even if they were governing or solving problems in consequential periods, like the Civil War or the world wars or the Great Depression or the Cold War, they had a period of time and space to actually think, to be private and you read their biographies, and they had time to think about what was happening and how to respond. I don't think human nature has changed in the last 50-150 years, but the stresses, the demands on those of us in public life have just exploded.
What makes 'Hoop Dreams' such a powerful film, is that it carries a message that maybe we can do something about our problems in America, reflected in the resiliency and strength of those families that we portrayed. The film was where we really saw the characters that we care about, interwoven with a analysis that is trying to help the audience understand what is happening in these people's lives. And in what is happening, there is an understanding of the larger power relationships in the world.
We first started to rent old VFW halls in Philly or whatever; we rented kegs and did parties and played our own music. We had to find a way to do it because nobody else was helping us, and I think now it's important to keep those dialogues happening, those parties happening.
I think as the world changes, we have to keep up. We have to note what is happening, and I think writing has always had a powerful corrective influence and possibility. We have to write about what's good, and we also have to write about parts of our culture that are not good, that are not working out. I think it takes a new eye.
I think people have a tendency to think of a writer as someone who wants to go take a walk, maybe case a library... I think that's great sometimes but we really treat it like Monday through Friday come in early. You're not late for inspiration. You're working through it no matter what is happening even if you're writing a terrible version.
I do think that it is impossible for us to think only in terms of the Palestinian-Israeli conflict and not think in terms of what's happening with Syria or Iran or Lebanon or Afghanistan and Pakistan. These things are interrelated. And if we are looking at the region as a whole and communicating a message to the Arab world and the Muslim world, that we are ready to initiate a new partnership based on mutual respect and mutual interest, then I think that we can make significant progress.
There are so many things happening nowadays that you've seen in films from years ago, like cloning and all of those things are actually happening now, so we can kind of visualize it a lot more, and I think our generation particularly know that we're going to be a big part of that, we we're kind of fascinated with how human beings will fare in the world.
I don't think I had any idea at the time how to work with someone as masterful as he is. And I don't think at the time I really understood what was happening. I think I was in a space where I was like: there are all these things. I was shooting all these takes with David, and I was just confused, as a person, and as an actor feeling a little too big for my britches and that this thing was happening and then also not having enough skill yet, and technique to know exactly where I was, and know about the character.
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