A Quote by Nicolas Cage
I don't know why it is, but I do like dancing in the extreme situations. I like that noise, I like that intensity. For some reason, it's what I respond to in terms of my taste and of my instincts.
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I don't know why, it's the same reason why you like some music and you don't like others. There's something about it that you like. Ultimately I don't find it's in my best interests to try and analyze it, since it's fundamentally emotional.
There's a lot of American people who like K-Pop for some reason. I don't know why, you know? But they like it even if they can't understand it because it has that style, that appeal.
Honestly, in life you should take situations day by day. You never know what comes your way. I just like to go along with my instincts and be a part of the kind of work I like.
If you put music on top of noise, it's like putting icing on top of mud; it might look like a cake, but it doesn't taste like one.
I want to create music that you can just vibe to. Put in your car and just you know like you roll all the windows up and you're like dancing and you just don't know why you're dancing but the music just makes you move.
I know that some actors and directors like to have intensity on set. I don't, particularly. Certainly, if they want that, that's fine, but I can't work like that.
Some emotions don't make a lot of noise. It's hard to hear pride. Caring is real faint - like a heartbeat. And pure love - why, some days it's so quiet, you don't even know it's there.
Some like them hot,some like them cold. Some like them when they're not to darn old Some like them fat,some like them lean. Some like them only at sweet sixteen. Some like them dark,some like them light. Some like them in the park,late at night. Some like them fickle,some like them true, But the time I like them is when they're like you
Comedy is drama. I think that if your characters are feeling something that is very real, then they have to respond in a way that feels real to them, and some situations, the only response you could possibly have is to respond in a way that's so extreme that people are going to laugh.
I like intensity. If it's too mellow, I feel like, bleah. I like intensity, because it's way of reaching spaces inside of you, and it's my need of knowledge, of knowing about myself regardless.
For some reason, I like to put myself in situations where I don't even know how I ended up there. I never want to be complacent or comfortable in a role.
I guess there's something about you don't know why you're attracted to a character, but you're attracted to them enough to want to - it's like when a song comes on, and you feel like dancing. You don't know why; you just want to dance. It's hard to analyze that feeling, and if you do, you get far away from it.
For some reason, I can inspire things that are in good taste, but then sometimes I can also inspire, like, wooooow. Some producers have this really sexual idea, and they're like, "Now I can do this, with her!" And I will just go: non, non, non. That's not me, it's you. You're projecting, man.
I understand why creative people like dark, but American audiences don't like dark. They like story. They do not respond to nervous breakdowns and unhappy episodes that lead nowhere. They like their characters to be a part of the action. They like strength, not weakness, a chance to work out any dilemma.
I like human stories. I like stories about situations we can relate to. I like movies like 'Ordinary People' or 'Terms of Endearment.' Mothers and daughters, fathers and sons, boyfriends, girlfriends. The stories to me that are worth telling are almost simple ones, but very relatable.
The way people respond to struggles or express their feelings in difficult situations are very different. I like imagining how characters would react in certain situations.
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