A Quote by Nicolas Cage
I actually enjoy working with green screen, because I can imagine all that stuff happening, and I really cut my teeth on a movie I made called "Adaptation" where I had to imagine four-page dialogue scenes with my twin brother, who was nothing more than a tennis ball and a gas stand.
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Green screen, you know, it's been interesting, it's my first time to ever work with green screen technology, and it's, sometimes it can be really boring because you're like wow, I've got to really imagine all of this stuff around me. But it's low maintenance, which is nice, um, and it's not as hard as I thought it would be, so.
I've realized that what you think of when you make a 'big movie,' if it's actually a green screen movie, it's like doing independent New York theater because you don't have any backgrounds or props. So it's kind of like making the lowest budgeted film you could possibly imagine, plus $100 million.
Imagine a school-boy who has outgrown his clothes. Imagine the repairs made on the vestments where the enlarged frame had burst the narrow limits of its inclosure. Imagine the additions made where the projecting limbs had fairly and far emerged beyond the confines of the garment. Imagine the boy still growing, and the clothes, mended all over, now more than ever in want of mending - such is chemistry, and such its nomenclature.
I love comedy. David's Lynch the only person I've worked with more than once who sees me as a specific thing - he sees me as the sexy bimbo, in ways, and he also sees me as Lucille Ball. Actually, Nick Cage and I did Lucy and Ricky in two scenes in Wild at heart that were cut because the movie was four hours long.
Imagine this country without the 20 million illegals that are here. Imagine the state of California. And this is not... It's nothing more than an exercise. It's nothing more than a little game to play with yourself. Because it's instructive.
Imagine craving absolutely nothing from the world. Imagine cutting the invisible strings that so painfully bind us: what would that be like? Imagine the freedoms that come from the ability to enjoy things without having to acquire them, own them, possess them. Try to envision a relationship based on acceptance and genuine care rather than expectation. Imagine feeling completely satisfied and content with your life just as it is. Who wouldn't want this? This is the enjoyment of non-attachment.
I frankly can't wait, because the idea of Bill Clinton back in the White House with nothing to do is something I just can't imagine, I can't imagine the American people can imagine.
I think I'd rather do [acting] in the real place. It requires different things, working with green screen, but its an imaginative exercise anyway, the whole business of acting, so it just gives you a bit more to feed the imagination. Unless it's really silly, just two of you stuck in a space with nothing but green screen that's got to be pretty difficult.
I've got a role in the new Billy Bob Thornton movie that Billy Bob wrote and is going to direct called 'Jayne Mansfield's Car.' I only have four scenes, but I have as much dialogue as anybody in the movie.
To act with a tennis ball and imagine it's a tentacle, or if you're in some kind of wilderness film and you go, 'Okay, we can't have a grizzly bear here, but imagine when you step over the rock there there's a grizzly bear.' I don't know. They're tough moments.
When we have a lot of the running, which we do on green screen, that is actually the hardest... I swear I have, like, four separate scenes in a row running, and I'd only done one at a time before.
I feel as though I stand at the foot of an infinitely high staircase, down which some exuberant spirit is flinging tennis ball after tennis ball, eternally, and the one thing I want in the world is a tennis ball.
I didn't have an imaginary childhood friend, but I did one day imagine somehow tiny green men, and they were only tiny and green because my brother had a ton of toy soldier toys that came on a skateboard plank type of thing, and I just envisioned in this car driving to church with my mom, they were there.
Our underclothes were woolen vests and knickers and an extraordinary, but apparently necessary, concoction called a liberty bodice, which had no freedom about it, so how it got its name I cannot imagine. It was made of some harsh stuff, with here and there straps and buttons that did nothing.
To stop smoking was actually really easy because I had already started to cut down. My husband is asthmatic, and he just can't for the life of him imagine why anybody would put smoke in their mouth, so he really helped me to start cutting down.
The original 'RoboCop' was X-rated, and then they had to cut it down so it became R-rated, and Verhoeven claimed that actually made the movie more violent, because it's what you don't see that actually scares you.
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