A Quote by Nicolas Cage
God bless the popcorn film. Especially movies where you can take the kids, because I remember looking forward to seeing these movies with my parents, and if I can give that back, I'm gonna do it.
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I love so-called movies that are bad movies, but 'Prometheus' is one of those movies that people are gonna come back around on in 20 years. There's gonna be midnight screenings of that thing.
I remember seeing Airplane, and even Mel Brooks movies like History of the World Part I, and just really loving that style of movies that make fun of movies. I think it needs to be done. All of these movies are ripe for being poked at.
There are a lot of kids out there copying and distributing movies - not because they care about seeing the movies or sharing them with their friends, but because they want to stick it to the movie business.
Pretty early on in making the first movie I realized that this is what I wanted to do. I felt like by that time I just found my niche, like this is what I was supposed to be doing. So I completely submerged myself into the world of watching movies, making my own movies, buying video cameras and lights. When I wasn't making a movie, I was making my own movies. When I wasn't making movies, I was watching movies. I was going back and studying film and looking back at guys that were perceived as great guys that I can identify with. It just became my life.
As far back as I can remember, these are the first movies, the Universal horror movies where I knew the title of the film and I also knew the names of the actors in those films.
I only pay to take my son to the movies, because most of the time I only watch European movies, independent movies, or screen them privately. But I like to go to movies with my son because it's still fun; it reminds me of why I make movies.
In America, people really love movies here and it's part of the culture. Even in Germany, still sometimes, the theater is always bigger than movies. It's more art. Movies are more popcorn. Here, movies are really an art form.
In Chinese culture, it wouldn't occur to kids to question or talk back to their parents. In American culture, kids in books, TV shows and movies constantly score points with their snappy back talk. Typically, it's the parents who need to be taught a life lesson - by their children.
You know, I think the film business is its own worst enemy, because it sells movies on 'behind the scenes' footage. It's seeing the secrets of how the movies are made, and now it's a real struggle trying to keep storylines and plots a secret.
If your kids remember anything, it's the fact that you were there. You're gonna fail every day, you're gonna make mistakes, you're gonna do things wrong, but as long as you're there, they remember that. And I see that. Our kids are so young, but they know that we're at every basketball game. We take them with us to places, we engage them. It's not helicopter parenting we just keep them around us. It's that bond. If you lose that it's hard to get it back. I think by showing up, kids, they're always connected to you.
I grew up loving action movies and films that were set in supernatural, unimaginable places. So I take being a woman in the film industry who is able to do action movies very seriously because I'm making the kind of movies that I wanted to watch as I was a kid and that inspired me and are the reason as to why I am here.
Growing up, I always loved Disney movies, but the first movie I remember seeing is 'Sleepers,' so I wasn't really taken to children's movies.
My parents used to do these little film festivals in our house where we'd watch all the Marx Brothers movies, or Chaplin movies, and a lot of westerns.
I would love to make a film, because storytelling happens only in movies. I would explore relationships in my movies. Maybe, the journey of a child from a broken home, or a relationship between a single father and his kids.
Because I didn't go to film school, I had a collection of books that were inspiring or taught me how to make movies, shorts with my friends back in Brooklyn, and one of those books was How I Made a Hundred Movies in Hollywood and Never Lost a Dime which is Roger's autobiography. After reading that, I realized that oh my God, this guy is behind all my favorite Pam Grier movies. Oh my God, he made the Vincent Price Poe films that ran on television when I was little. He did Grand Theft Auto. He made Death Race 2000.
I think I'm actually a mainstream, popcorn-eating kid. I've always been that, so I'd sit there watching action movies and American moves before I watch other movies quite often because I am that kid. But I've pushed into the more alternative area because that's where it gets really interesting creatively.
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