A Quote by Nicolas Cage
I try to do as many stunts as they'll let me do. I think it's important for an audience to feel that the actor's really doing it.
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I think it's really important whilst you're a young actor to try as many new things as possible... to try and do something you haven't necessarily been seen doing before.
I don't do stunts and I don't think many actors do. For an actor to say they do their own stunts I don't think is very respectful of the profession of stunt men and women.
I think it's really, really important to mix it up as an actor, to try to get as much kind of varied experience as you can, not only for your own personal growth as an actor but for the audience to keep them guessing about what you're going to do.
I think it’s really, really important to mix it up as an actor, to try to get as much kind of varied experience as you can, not only for your own personal growth as an actor but for the audience to keep them guessing about what you’re going to do.
I love doing stunts. I'm dedicated to stunts, in fact. I really find that that brings me even closer to a physical truth about my character that I enjoy being a part of. I love doing that stuff.
After doing a bunch of movies as a stuntman, I realized that being a stuntman, you are in the shadow of the actor, and they don't get to see your true ability, and I wanted people to see that it was really me doing those stunts, and it was really my true abilities.
I think you should really research your cause, see if there are other people who are already doing the same thing you're doing and try to join forces because I really feel like collaborating is really important and very efficient. More is more, you know?
I'd love to do a really cheap action movie. I'd love to do stunts. I mean, not myself. I'd hurt myself, but I'd love to direct others doing stunts. I think that would be a blast. The funny thing is, if I really think through this fantasy, I know that the way I conceive of doing an action movie would still lose money. No matter how far I think I'm getting away from myself, it always comes back to something that's not terribly commercial.
I think it's really important for the audience to feel connected, and when it's good it's this amazing, symbiotic relationship. I try to give as much as they can give. We're not avant garde and we make no claim to be revolutionary, but I think we are sincere.
I feel like in a lot of ways I've gotten kind of soft as an actor, not doing stage stuff. In terms of being a better actor, it's really important.
In terms of trying to improve as an actor, for me it's always important to return to the stage. After doing a piece of theater for a prolonged period, I can think I must have surely improved in some way as an actor - you must be fitter than you were prior to doing it. For me, theater is very, very important in keeping things fresh and dangerous.
Sometimes I go to the cinema and I see a movie where the directors or the filmmakers are telling me what to think, what to feel. They are giving me all the answers, and I'm like, "What am I doing here?" I try to have an active audience that are thinking and feeling for themselves.
I think the performances that really communicate with me are the ones where I don't feel like I'm watching someone and thinking: "They're doing some really good acting." It's when I'm literally completely consumed by the story-telling and the actor or actress is evoking something in me. I think that's so powerful and cinema and TV has so much power.
I'm not really sure if I have anything that inspires me. I think what goes into my work is everything beforehand that I do with my dad. He teaches me acting, and I think maybe without him it would be pretty hard. I started acting for fun, really, because my dad's an actor and my sister's an actor, so I started doing it and it was normal. But it got places really fast, and I started doing feature film auditions and stuff.
I don't really look at the skillset of being an actor as different in each medium. It asks a different thing of you as an actor, but for me, I draw upon the same skillset. It's just a different tuning of your tools as to who you're doing it for, whether you're doing it for an intimate camera or an audience of 2,000 people.
If it wasn't for her literally doing my homework for me, I would not have even graduated high school. Guaranteed . . . My mom always said, 'Luck is nothing but preparation and opportunity.' I think because I've had that history of not really being great in school, I probably try to overcompensate. That's why I try to read so many books. Just so I don't feel . . . uneducated.
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