A Quote by Nicolas Cage
I hit the ground running, without a lot of training, so I had to do whatever I could do to survive as a professional, and if that meant being that character 24/7 and acting out, I was going to do that. I lived those characters, I brought them home with me.
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Some men of the line regiment who had appeared on our right started running back. I shouted out to them to halt, but they took no notice. I pulled out my revolver and very nearly shot at them, but I thought it wouldn't do any good, as they all had their backs to me so would have thought that anyone hit was hit by a German bullet. If I ran after them my men might think I was running away. So I took my men on!
Whatever character you play, whatever film it is, whatever story it is, for me, in my training it's always something that gives you a layered character, it's understanding the secret of that character, and so whatever comes up as "Oh, I thought that person was that," you are always carrying that within you. So actually what you're playing all the way through is both and it's just what comes out in the scene or the circumstance.
I remind you again we had those elections [in Afghanistan and Iraq] because we had boots on the ground and we had people that could help people, and we had people on the ground that could get into somebody's face when they had to, and do whatever was required.
A radio play actually ended up being the first acting job I ever had. A lot of times when I'm on camera, I'm playing characters that are more like myself, and I don't get to do a lot of real character work. But when you're doing animation, you are the very epitome of colorful characters. I think I'm just really into make believe.
And the general shot my sister. I could not look at her, but I remember the sound of when she hit the ground. I hear that sound when things hit the ground still. Anything.' If I could, I would make it so nothing ever hit the ground again.
I think a lot of creators are attracted to those toys they got to play with when they were young, and everyone wants to write a Superman story or a Batman story or a Spider-Man story. I don't know, if it's been successful for me, it should be successful for anyone. "Hit the ground with your feet running" is the secret of breaking new characters when it seems like no one else is having any luck.
When he hit a ground ball to you, you knew you had to make a good throw because he was going to be running.
My professional acting life, stage and screen, has brought me public support, emotional fulfillment and material comfort. It has brought me together with fine people, good companions with whom I've shared the inevitable lot of all actors: flops and hits.
Well, 9/11 made me think about the towers, and the fact that I lived in New York for a long time, while they were being built. In fact, I had a studio that was ripped out, along with the whole neighborhood, to put the towers in. I saw them go up. I lived with them, running past them in the morning. And they were like part of my furniture.
I've never had a homosexual or bisexual experience, but it doesn't make me uncomfortable to dip into those feelings. I think a lot of women have those feelings without acting on them.
prepare a little hot tea or broth and it should be brought to them . . . without their being asked if they would care for it. Those who are in great distress want no food, but if it is handed to them, they will mechanically take it ' ... There was something arresting about the matter-of-fact wisdom here, the instinctive understanding of the physiological disruptions... I will not forget the instinctive wisdom of the friend who, every day for those first few weeks, brought me a quart container of scallion-and-ginger congee from Chinatown. Congee I could eat. Congee was all I could eat.
I had my own insecurities, which a lot of my comedy would come from, about not being able to live up to their academic expectations. Acting out those insecurities was a way of confronting them, like, “Let me just lean into being a guy who can’t read or write.”
I work out only with my trainer. And I make sure to do a lot of power training. For me, fitness is more about being on the ground rather than being in a gym.
When I was able to get home it first hit me that you had left and I couldn't do anything about it. Every day before that an evening with you was waiting for me after school, now no more, strange feeling. I had grown too accustomed to your warmth. That is also a danger. At home I looked at the notebooks that you had bought and I got the stupidest surge of hope that I'd find something of you, something especially for meant for me. I would so much like to have something of you that I could always keep by me, that nobody else would notice.
I've been on 'Criminal Minds' twice! On the first show, a boy brought kids out to the woods and was beating them with a baseball bat, but I got away. Then they brought Tracy, my character, back - as a kidnapped girl. They saved me two times! Tracy lived!
The type of acting that I'm interested in, that I aspire to, is where I try and drag a lot of myself into whatever character it is. They can be very different types of characters, but at the heart of it, I always wanted to be a very, very believable and rooted in reality. One of the ways of doing that is to root it as much as you can in your own experiences and then tint those with different hues, different colors to give the different characters their way.
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