A Quote by Nicolas Cage
When I was eight, I would look at the cover of the 'Ghost Rider' comic book in my little home in Long Beach, California, and I couldn't get my head around how something that scary could also be good. To me it was my first philosophical awakening - 'How is this possible, this duality?'
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I didn't play the Ghost Rider in the first movie. That was a stuntman. In this film, the Ghost Rider feels much more alive because I did put some thought into how he should walk and into how he should move. I was so into the character, in fact, that I would paint my face with white and black makeup to look like a skull. And I put on blacked-out contact lenses, so I almost looked like an Afro-New Orleanian voodoo icon by the name of Baron Samedi. Oh man, I would walk around the set without saying a word to anybody, and I could see the fear in my co-stars' and co-directors' eyes.
In the past, I’ve had my share of good reviews, but it’s always the crazy, scary, weirdo guy. I don’t even know how it happened. Look at me. I mean, when I’m naked, I look like a bald chicken. How did I get to be a scary bad guy?
As my father taught me, and he drove home that point, he said, 'Just remember something. You don't need to tell anybody how good you are. You show them how good you are.' And he drove that home with me. So I learned early not to brag about how good I was or what I could do but let my game take that away and show them that I could play well enough.
I like to take long naps. I like long walks on the beach. The perfect day is back home, California, going to the beach with a couple of friends, laying out in the sunshine, get a nice bronze.
The idea of 'Freedom's Goblin,' to me, leads to a wild conversation. I would hope that father and son, driving home from the record store, could have a conversation about what that title means. Because to me, it's the duality of being free: the evil and the good, and how it's a constant paradox.
How to make a scary movie human, take a movie like Sinister. How can I make that guy so real so that the scary elements of it are more scary and it functions as a genre movie - as the way it's supposed to, you want to hear a ghost story at midnight, that's a good one - but how do you fill it up with humanity inside, in staying true to the genre? You know? Does that make sense?
For me, the whole process involves envisioning this Ghost World comic book in my head as I'm working.
I think that 'Ghost Rider: Spirit of Vengeance' was mentally taxing, if only because I had to go to a Christmas party shortly after I had wrapped photography in Romania at two in the morning as the Ghost Rider. The invitation had a Christmas ornament on it with Ghost Rider's face on it as a tree.
One learns first of all in beach living the art of shedding; how little one can get along with, not how much.
I liked the monsters, I liked them because I couldn't understand how something so scary could also be so good. It got me thinking as a very early age, and I had a lot of rehearsal.
I could be dead or something even more tragic could have happened, but by God's grace I am still alive. I was hooked on Crystal Meth for eight years and did it every single day, all day long. I honestly have no idea how my heart survived or how I didn't suffer multiple overdoses, I don't get it.
When I was able to get home it first hit me that you had left and I couldn't do anything about it. Every day before that an evening with you was waiting for me after school, now no more, strange feeling. I had grown too accustomed to your warmth. That is also a danger. At home I looked at the notebooks that you had bought and I got the stupidest surge of hope that I'd find something of you, something especially for meant for me. I would so much like to have something of you that I could always keep by me, that nobody else would notice.
How far we all come. How far we all come away from ourselves. So far, so much between, you can never go home again. You can go home, it's good to go home, but you never really get all the way home again in your life.
...
whatever it was and however good it was, it wasn't what you once had been, and had lost, and could never have again, and once in a while, once in a long time, you remembered, and knew how far you were away, and it hit you hard enough, that little while it lasted, to break your heart.
I never thought I would go to Gaza. It's incredibly difficult to get into, and when you get there, it's a war zone. Then they have this beach, and there's this incredible, vibrant beach culture there, which is something that I grew up with in Southern California.
Past experience told me he could smell my fear; it also told me that the anger accompanying it would pretty much cover the scent. It's good to know how to compensate for your own weaknesses.?
A great comic-book cover occurs when it gets a potential reader to pick the book up and start thumbing through it. That's a comic cover's job: Attract someone's attention, and persuade them to try the issue out.
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