A Quote by Nicolas Cage

I happen to still like really dark, dramatic, fractured characters. They're the reason I got into movies. — © Nicolas Cage
I happen to still like really dark, dramatic, fractured characters. They're the reason I got into movies.
Look, I happen to still like really dark, dramatic, fractured characters.
I like playing characters who are fractured, broken. I find that more relatable, for some reason. I don't feel that I'm like that myself by nature, but there's just something that you can really grab hold of if people have a darkness in them, I think.
I am a fan of dark movies and dark complex characters, and I love to take on a character like that.
I like movies about people and movies with characters; that's what I'm drawn to as a person who likes to create these characters within the story, but I like it all, really.
The '80s just had this sense of outrageous fun coupled with great stories and characters. Then there's the practical effects and buckets of gore in movies. These are movies that, for the most part, still stand up to this day. But I guess the real reason for my love and obsession with this period is these were my first horror movies. I was a teenager during the '80s and I think spending that part of your life in that particular time really has an impact on you for the rest of your life.
I just happen to like the action-adventure movies. No law that says you can't work in all types of dramatic stuff.
My favorite movies are movies from the '70s, like 'Midnight Cowboy' and 'Dog Day Afternoon' and 'One Flew Over the Cuckoo's Nest,' and to me, 'Hereditary' seemed like it fit in with those movies, and it was just horrifying. It seemed like it took the things that I love about movies and really fleshed out characters.
I got really into Martin Scorsese as a teenager, so then it was kind of the whole reason I wanted to be an actor. Just like tons of young actors, I think, get freaked out by the Scorsese/DeNiro movies. I loved all his movies in the '90s, too. Then I got a part in 'The Aviator' and couldn't believe it.
Any entrepreneur has to prepare for a lot of dark days, and they've got to really like what they are doing, and they have to have a reason for it to succeed.
I don't care much about the outcome. I'd like for people to feel better and have better lives, but I don't think that's in the cards through political action. I think bloodshed is still the way you get dramatic change. That'll never happen because they've got all the guns now. At least they've got the nice guns, the big ones, the ones with night vision.
I live a dramatic life and love the characters that are constantly changing in their lives. For that reason, if I have an opportunity, I would like to participate in the musical 'Hedwig.'
Everybody's been decrying the death of movie theaters for decades and, you know, people are still going to the movies in droves. It's gone down, but it hasn't gone down that much. I think the biggest change has been the emergence of cable and streaming on television. That has really had a dramatic effect, and I think it's a positive one. I think there's really good work going on there, and as movies stratify to being these gigantic tentpole movies, and small movies, I think it gives another outlet for character-driven material.
I like fractured characters with human follies.
The thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human. They're full of flaws as much as they are full of heroics. I think the reason that people love them and hate them so much is because, in some way, they always see a mirror of themselves in them, and you can always understand them on some level. Sometimes it's a terrifyingly dark mirror that's held up.
With actors like Steve McQueen, Paul Newman and Harrison Ford, what made them such icons is that even in dramatic movies, their characters had a sense of humor.
I like dark, dramatic roles; they're just really powerful and real.
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