A Quote by Nicolas Cage
When I won the Oscar, I made a point of actively going against that and doing adventure films like 'Con Air' and 'Gone in 60 Seconds,' not what would be expected.
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It only takes around 60 seconds to cast your vote in the polling station. 60 seconds to protect the economy, 60 seconds to protect your jobs, 60 seconds to protect the services your family relies on. A lot is at stake during those 60 seconds.
I made films, like 'Shadow of the Vampire,' and I did not like the work I did on it and then Willem Dafoe was nominated for the Oscar. I made films like 'The Adventures of Pinocchio' with Martin Landau. I thought I would get nominated and it flopped. You never know.
'Good as Gone' goes from zero to 60 in under six seconds and never lets off the gas! If you like your thrillers filled with nonstop action in a race against time through Europe's underbelly, hop in and take a ride.
I think the Con-Con issue is really diversionary. I've always been against Con-Con, from the very first the time the idea was raised. Everybody knows that.
When I made 'Weekend,' the idea that 'Moonlight' would win the Oscar would be like, Whaaaaat? Like, that's not going to happen.
To get an Oscar would be an incredible moment in my career, there is no doubt about that. But the Lord of the Rings films are not made for Oscars, they are made for the audience.
To get an Oscar would be an incredible moment in my career, there is no doubt about that. But the 'Lord of the Rings' films are not made for Oscars, they are made for the audience.
Israel is doing what any other country would do, and certainly the U.S. would do. If 80 percent of your population were under fire and you had 60 seconds or 90 seconds to get into bomb shelters, if terror tunnels were dug underneath your border in order to come in and explode your kindergartens and massacre your people and kidnap American citizens.
I would love to win an Oscar one day. That would be a very wonderful thing. But in the meantime, I really hope that I make films I'm proud of. A lot of people aren't going to like the movies I make, I'm sure. But as long as I'm proud of the movie and I'm not selling out, and I'm doing things that make me happy and make me grow as an actress, I'll be good.
I love my accent, I thought it was useful in Gone In 60 Seconds because the standard villain is upper class or Cockney. My Northern accent would be an odd clash opposite Nic Cage.
What I learned most was how to tell a story in 15 seconds or 30 seconds or 60 seconds - to have some kind of goal of what to try to do and make it happen in that time.
At some point in time, in the future, people are going to refer to the Step Up films as the films they grew up on. Hopefully, that inspires them to get in dance films that are being made.
Don't be afraid to go against the current, when they want to steal our hope, when they propose rotten values to us, values like food that has gone bad-and when food has gone bad it makes us sick, these values make us sick. We have to go against the current! And you, young people, be the first: Go against the grain and be proud of going against the grain. Go on, be brave and go against the current! And be proud of doing it!
My production company wasn't doing well, so we were not producing films. Over a period of time, we have realized that we are going to produce our own films and make cinema that we like. We've got so much in-house talent, and my kids are going to be coming, so we all decided that we are going to be in films and cinema.
Well, Amber [Heard] is still raising her eyebrow at me because I said that I've been 180 miles per hour on the 405 freeway on a motorcycle and she doesn't believe me but it's a true story. I did it coming home from work at 3 in the morning on another movie I made about cars called Gone in 60 Seconds. I bought a Yamaha-1 and I was doing 180 miles per hour home on the 405 and that's really, really crazy but I did it.
Going forward, I would love to work with directors like Rian Johnson and Joss Whedon; people like that who are doing big films but do have really independent voices. That's kind of what I want to focus on, is always working with people with at least an independent point of view, even if it's not an independent film.
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