A Quote by Nicolas Cage

You get dinged for wanting to do a comedy, then wanting to do a big-budget action film, and then wanting to do an indie. But you can't let other people trying to label you get in the way of trying to do something artistically.
I think there's something about wanting to stand in the spotlight. I think the ball is a spotlight, for example, and I think they want to stand in that. I a lot of times see - LeBron is a guy that vacillates between wanting to do that and then wanting to get somebody else involved.
Whenever you experiment with something, it's very easy to take the emotion out of it. And going back and forth between wanting to be respected artistically and wanting to move people is its own challenge.
Going back and forth between wanting to be respected artistically and wanting to move people is its own challenge.
What's insulting to the American people, the Senate, to this whole process is that the Republicans, with all other nominees, have said Democrats are being obstructionist for wanting to see documents, for wanting to see a paper trail, for wanting to get questions answered in the judiciary committee hearings, and now all of a sudden, the Republicans want those things for this.
I'm always struck by the kids who turn up in New York and LA, and places in between. Chicago. Wanting to do theater, wanting to do independent film. Wanting to break into television or radio.
I think escapism is something artists write about pretty frequently - it's something everyone can relate to, the concept of wanting something more, wanting to find solace, wanting to have something better.
All I know about getting something that you want is that there are three essential things: wanting, trying and getting the opportunity, the breaks. None works alone without the others. Wanting is basic. Trying is up to you. And the breaks - I do know this, they always happen.
You spend your childhood wanting to get out from your house and wanting to get away and out into the real world and then as adults we start to learn that things are not what we thought they were.
You spend your childhood wanting to get out from your house and wanting to get away and out into the real world, and then as adults, we start to learn that things are not what we thought they were.
I think that's all a form of wanting to let go, of wanting to get out... It's not something easily described or understood.
Hope is wanting something so eagerly that-in spite of all the evidence that you're not going to get it-you go right on wanting it.
It was palpable, all that wanting: Mother wanting something more, Dad wanting something more, everyone wanting something more. This wasn't going to do for us fifties girls; we were going to have to change the equation even if it meant . . . abstaining from motherhood, because clearly that was where Mother got caught.
I don't know that I ever wanted greatness, on its own. It seems rather like wanting to be an engineer, rather than wanting to design something--or wanting to be a writer, rather than wanting to write. It should be a by-product, not a thing in itself. Otherwise, it's just an ego trip.
A lot of the music comes out of that conflict of wanting this other thing and feeling guilty about wanting it, and then it guiding me somewhere despite my kicking and screaming.
I think my love of science comes from an interest in wanting to understand the world and wanting to understand our place in it. If I can hook, and reveal, and then, show something, illuminate something about the world, then that's important to me.
I thought what if death is more like thinking, well, war is like the boss at your shoulder, constantly wanting more, wanting more, wanting more, and then that gave me the idea that Death is weary, he's fatigued, and he's haunted by what he sees humans do to each other because he's on hand for all of our great miseries.
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