A Quote by Nicolas Cowan

I've gotten into such weird jobs just by word of mouth... Like I didn't try to be an accessory designer, but I had a friend working at the company and I needed a job so that's where I ended up.
I came here when I was 20. I came to go to school, but I ended up working for Halston as an assistant. That happened in a very strange way. My father had a meeting with Halston. And my father said to me, 'Join me. I want you to meet this amazing American designer.' And I happened to just tag along, and Halston offered me a job.
I ended up [doing video] meeting Gillian [Grassie] at the same time that we were getting together a book. We ended up working on it, and she recognized that I had a flair for certain things, and we've worked through it together so that the writing could be really good. It was the perfect partnership, just finding my literary voice and figuring out how comedy translates to the written word.
I followed a girl I met in Japan to Los Angeles and ended up working in a motorcycle store. I quit the job one night, went to a party in the Hollywood Hills and ended up yelling at a bunch of people. Someone saw me yelling and asked me to be in a play. The first night, there was an agent in the audience who took me on and sent me out for jobs.
I graduated from Academy of Fashion and Costume Design in Rome. At first, I thought I was going to be a costume designer for films, and then I ended up working in fashion - not as a designer, but mostly as a model.
I need a new friend. I need a friend, period. Not a true friend, nothing close or share clothes or sleepover giggle giggle yak yak. Just a pseudo-friend, disposable friend. Friend as accessory. Just so I don't feel or look so stupid.
When I started my first company, I still had a 40-hour a week job. I was working on my company on nights and weekends before I took the plunge and gave up a salary.
I've worked over four dozen nine-to-five jobs before taking the chance to chase my dream of wanting to become an actor and filmmaker. Growing up in Brooklyn and Harlem, working at jobs like the bus company were great. I had benefits, a great salary, and security. But it wasn't my dream.
I moved to London when I was 21 and I needed a job. I'd just done a year working in Waterstones in Manchester and I was looking for any old job. This advertisement came up for an editorial assistant on Dora the Explorer Magazine. Because I'd been working in the Children's Department in a bookshop for a year I just nailed the interview.
Now, there is no business like show business, and there is no publicity like word of mouth. What is word of mouth, you may ask? Well, word of mouth is gold to Hollywood bigwigs, and it equates to box office bonanzas and hit TV shows.
My first job was at Proctor and Gamble in Cincinnati, my second job was at a pharmaceutical company in Berkeley Heights, New Jersey. My third job was at Palmolive. And I realized, three jobs in three years, maybe it wasn't the job. It had to be me.
When I hurt my knee, I knew it was time to retire from dancing, and I needed a job just to pay the bills, and I ended up as a receptionist for about three-four years.
I sleep as much as I want. I'll sleep, like, 11 hours, unless I'm working. Sometimes I do feel like, 'This is weird; I should just get up so I can fit into the world.' Then I'm like, 'Why?' I don't have a nine-to-five job.
We all had jobs that were just fronts. I felt like I was in the mob. I had a job, but that wasn't my real job. My real job was to be an actor. I always knew that and never forgot that.
People are so afraid of hearing "No" that they often don't even try. You have nothing to lose by just asking! A good friend of mine once told me, "Harv, a closed mouth won't get fed." Open your mouth! Say something if negotiations aren't going the way you'd like.
I was 20 years old, working as a roofer and a telemarketer and driving a taxi, just barely getting by. A friend of a friend suggested I try acting. I was like, 'Why? What am I going to do? Community theater?' But I took a class, and the teacher thought that I had potential, so I moved to Vancouver and started auditioning.
In the first season (of 'Californication'), when we had the threesome with the nipple clamps, I was, like, 'I don't get this, I don't know how you're gonna do it.' And then, all of a sudden, there's a crane with a camera hanging over our heads, and you're, like, 'Okayyyyyyy. But how are you gonna sell this? How are you gonna make it work?' And they ended up shooting it brilliantly, cutting it together, and it just all ended up working without me having to compromise my own personal morals.
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