A Quote by Nicolas Ghesquiere

I'm the kind of person who, even after a shoot that I've loved, is always moving on. There is no gap. — © Nicolas Ghesquiere
I'm the kind of person who, even after a shoot that I've loved, is always moving on. There is no gap.
it's weird how much people change. for example, when i was a kid i loved all of these things..and over time all of them just fell away, one after another, replaced by friends and IMing and cell phones and boys and clothes. it's kind of sad, if you think about it. like there's no continuity in people at all. like something ruptures when you hit twelve, or thirteen, or whatever the age is when you're no longer a kid but a "young adult," and after that you're a totally different person. maybe even a less happy person. maybe even a worse one.
I've always loved fantasy books. Even just growing up, I've always kind of loved magic and fantasy.
I came back to Haiti after the earthquake not to shoot a film, but to help and be a part of the rebuilding process, like all my fellow compatriots. I didn't come to shoot a film, but I became frustrated when I realized that my help was kind of useless. We all felt lost and helpless. And it's out of that frustration that I decided to shoot a film.
I always enjoy ballet when you can read the situation very precisely, when I could tell you exactly which sentence that person is saying to that person even when they're not speaking and just moving their hand.
I always thought the piano scene was kind of unique to shoot because we were actually able to film with the playback of the actual song. And that was quite amazing because it almost made it easier - music is usually something that is added after filming has finished so to be able to shoot a scene with music was really wonderful.
Through our long career we never got to work together until 2013 when we signed 'Club 60.' Until then I always liked him from afar. I knew Farooque Sahab was a decent person, a warm person, but it was only after I met him during this shoot that I realized what an enormously nice and genuine person he was.
There's just some kind of men you have to shoot before you can say hidy to 'em. Even then, they ain't worth the bullet it takes to shoot 'em.
Unlike the rest of everyone I hang around with, I don't drink, so I remember what happened after shows. And I have never hit on anyone after a show, I'm not that kind of person. Even if I was attracted to someone, I'd be too shy.
And wasn't it terrible, how much he looked forward to those moments, so much so that sometimes even a ride by himself on the subway was the best part of the day? Wasn't it terrible that after all the work one put into finding a person to spend one's life with, after making a family with that person, even in spite of missing that person...that solitude was what one relished the most, the only thing that, even in fleeting, diminished doses, kept one sane?
I always loved song writers who wrote songs in the first person, so it's kind of like that.
I've always loved pop music. I've always loved indie, even electronic, even trap.
If you shoot for the stars and hit the moon, it's OK. But you've got to shoot for something. A lot of people don't even shoot.
My career has always kind of moved forward and upward. I've never had anything kind of stall out or go in the opposite direction. I've always kind of been moving in the right direction.
When you have loved deeply, that love can grow even stronger after the death of the person you love. That is the core message of Jesus.
Every true love and friendship is a story of unexpected transformation. If we are the same person before and after we loved, that means we haven't loved enough.
If you want to shoot rare, fast-moving elephants, you should always carry a loaded gun.
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