A Quote by Nicolas Godin

Some sounds are coming from the keyboard and they are very important in the writing process, but on the other hand, we have melody and we have the song before, so if the keyboard sound fits very well, it takes its artistic direction. We play the machines and the machines play us.
I can play songs that I hear from a movie and just play it a few times on the keyboard. I will hit all the notes on the keyboard until I find the right key, and then I will play the rest of the song.
I wasn't very good at studies but was into a lot of extra-curricular activities. I used to play the keyboard and bass guitar in my school band and went on to study keyboard from Trinity College, London.
I do get labeled as a guitar band, but the only reason is that's the instrument I know how to play. The guitar is serving the song I'm writing. But I'm learning how to play keyboard better now so that'll start serving the song as well; it'll be another flavor. I'm not going to switch it up with big, fat drum machine beats and real swoopy synths, but yeah...
I play trumpet. And I took all the music courses in college, so I can also play the string instruments, keyboard, the brass and woodwinds - but only well enough to teach them. If you put a violin in front of me, you wouldn't say, 'My God, that guy can play.' It'd probably sound more like Jack Benny.
If you can whistle the melody, then the song will stick. But if you need a bunch of machines to make it sound good, you're probably not writing anything that's going to last a long time.
The program I use is called MED Soundstudio. It's basically a column of numbers that relate to pitch, duration, the type of sound. If I want to play a chord, I have to press keys on a keyboard - like a computer keyboard, on my Amiga - that relate to sharps and flats, note by note.
When I'm writing a lyric, I totally forget about the music. I'm just looking at the lyric and thinking about it almost as a separate entity. And then I'll go to my keyboard with all the lyrics printed out and try to think of how to make this a complete musical thing. I've got a very basic keyboard with some presets.
The keyboard is my whole life. My life is centered around either sitting at my keyboard or driving my car. Those are the two most important things, more than anything else. Being at my keyboard, it's the happiest time for me.
You are talking to a man who can only play a plastic keyboard. Give me anything weighted and I've had it. I haven't got the strength in my fingers to push them down. So I don't get a lot of expression on the keyboard.
All other species on this planet are gene machines only. They don't imitate at all well; we alone are gene machines and meme machines as well.
That's really important in a producer - a producer that can step up and play a keyboard, play a bass, play a guitar, and help you with things instead of just saying, 'I think this could be better.'
I mean that's something we're very conscious of when writing. Tempos are very important. Like "Oh we can't play the song too fast because people aren't going to feel it." There's a pulse to a song. You can't play it too slow. We're always trying to find the perfect tempo.
Machines help us do things more quickly and efficiently, but they can also destroy some community activities. Machines can also throw the weakest people out of work and this would be sad, because their small contribution to the housework or cooking is their way of giving something to the community. People who are capable of doing things very quickly with the help of machines become tremendously busy, always active, in charge of everyone - a bit like machines themselves.
Usually now a song starts just in my head with a melody or a lyric idea coming first.Then typically I'll go to a guitar, unless it's a instrumental then I'll usually build it on a keyboard instrument.
I'm starting to play all the melodies with kind of keyboard sound but playing it from the bass guitar.
I started playing instruments. Writing didn't come until later. I didn't know how to play a keyboard but I'd listen to hits off the radio, learn them, then my hands would be ready to play.
This site uses cookies to ensure you get the best experience. More info...
Got it!