A Quote by Nicolas Poussin

Drawing is the skeleton of what you do and color is its flesh. — © Nicolas Poussin
Drawing is the skeleton of what you do and color is its flesh.
Drawing and color are not separate at all; in so far as you paint, you draw. The more color harmonizes, the more exact the drawing becomes. When the color achieves richness, the form attains its fullness also
Painting is drawing, with the additional means of color. Painting without drawing is just 'coloriness,' color excitement. To think of color for color's sake is like thinking of sound for sound's sake. Color is like music. The palette is an instrument that can be orchestrated to build form.
Yeah? Can you draw a skeleton riding a motorcycle with flames coming out of it? And I want a pirate hat on the skeleton. And a parrot on his shoulder. A skeleton parrot. Or maybe a ninja skeleton parrot? No, that would be overkill. But it'd be cool if the biker skeleton could be shooting some ninja throwing stars. That are on fire.
It is the bareness of drawing that I like. The act of drawing is what locates, suggests, discovers. At times it seems enough to draw, without the distractions of color and mass. Yet it is an old ambition to make drawing and painting one.
You can only learn to paint by drawing, for drawing is a way of reserving a place for color in advance.
Drawing need not be the bones of art, but skill must always be the skeleton of accomplishment.
Drawing is the cornerstone of the graphic, plastic arts. Drawing is the coordination of line, tone, and color symbols into formations that express the artist's thought.
The subject should be observed more for shape and color than for drawing... precise drawing is dry and hampers the impression of the whole, it destroys all sensations.
Drawing and color are by no means two different things. As you paint, you draw... When color is at its richest, form is at its fullest.
All my paintings are usually done in drawing form, very small. I make notations in drawings first, and then I make a collage for color. But drawing is always my notation.
I love rewriting because that is where and how you discover the story. It's like you have this skeleton, and you get to put flesh on it and hair and clothes and really wonderful jewelry.
I love rewriting because that is where and how you discover the story. Its like you have this skeleton, and you get to put flesh on it and hair and clothes and really wonderful jewelry.
Usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes. I kind of do the drawing with the painting in mind, but it's very hard to guess at a size or a color and the colors around it and what it will really look like. It's only a guess at the beginning, and then I try to refine it.
Naked violence repels like the naked skeleton shorn of flesh, blood and the velvety skin.
Once again the absurdity of my inner thoughts overwhelms me, and I want to crawl out of my skin, escape my ugly, awkward flesh and be a skeleton, naked and anonymous.
You reason color more than you reason drawing... Color has a logic as severe as form.
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