A Quote by Nicole Ari Parker

Forty-years-old these days is the beginning of people's lives. I've found myself, I'm confident, I'm mature, I've been through some stuff, I'm ready to write my book. — © Nicole Ari Parker
Forty-years-old these days is the beginning of people's lives. I've found myself, I'm confident, I'm mature, I've been through some stuff, I'm ready to write my book.
I've been doing short-form writing for a decade, and six years ago I signed with an agent, and we've been working on figuring out what my book would be. I was always so embarrassed that it took me so long to figure it out, but I think, in retrospect, I just wasn't ready to write a book six years ago. I wasn't confident enough as a writer and I wasn't coherent enough in my worldview. It just took this long for me to be a mature enough writer and be ready to do it.
I am above eighty years old; it is about time for me to be going. I have been forty years a slave and forty years free and would be here forty years more to have equal rights for all.
My writing is of a very different kind from anything I've heard about. All this mythological material is out there, a big gathering of stuff, and I have been reading it for some forty- or fifty-odd years. There are various ways of handling that. The most common is to put the material together and publish a scholarly book about it. But when I'm writing, I try to get a sense of an experiential relationship to the material. In fact, I can't write unless that happens ... I don't write unless the stuff is really working on me, and my selection of material depends on what works.
Most of the poems I write go through forty versions and then stay in a file on my computer. I'm not very good at sending stuff out or feeling that something is ready to send out and I never have been. Part of the problem is that as soon as a poem is finished, it stops being all that interesting to me.
There was a point where if you had told me I was going to be a national morning anchor, I would probably have been terrified. But now, I feel prepared. I've been in the business for almost 20 years now. I'm almost forty years old and I've been doing this for a long time, so I felt like, "Okay, I'm ready to do this."
The comments I most appreciate come from ordinary readers who've happened on one of my books at some time of stress in their lives, and who actually credit the book with helping them through a bad time. It's happened a few times in forty years.
Do I feel confident about my health? I don't think that anybody ever should feel confident about their health if they are 72 years old, and getting ready to go in to the ring. If they are then they are probably some kind of an idiot and that is more than likely what I am.
And now I am eking out my days in my corner, taunting myself with the bitter and entirely useless consolations that an intelligent man cannot seriously become anything; that only a fool can become something. Yes, sir, an intelligent nineteenth-century man must be, is morally bound to be, an essentially characterless creature; and a man of character, a man of action - an essentially limited creature. This is my conviction at the age of forty. I am forty now, and forty years - why, it is all of a lifetime, it is the deepest of old age. Living past forty is indecent, vulgar, immoral!
Misha's importance and distinctiveness are beginning to be noticed, there's beginning to be some kind of rip-tide here that will soon become a wave of recognition for a book that the world is beginning to catch up to... We weren't ready before. We'd better be ready now. Because it's the 21st century, any minute now, and that means that Misha's time has come. In more ways than one.
I notice that I only publish once every four years. It takes a couple of years to write a book and then, for me, for one reason or another, it usually takes about a year of sort of dicking around before I start up. I write a review or little magazine pieces and touring with the other book. But mainly it's just you're not ready, I'm not ready to start another. You're just not up for it.
I write all the time, I've got a big, thick, old ledger book that I write stuff down in. I used to watch TV and write things that people would say and now I tend to get it more out of books and from conversations with people I meet.
I've always been making stuff. I had a very free upbringing, and very encouraging parents. I just found that it was a really cool thing, to write songs. And then, I think it was probably about when I was about 19 years old, people started telling me I should try to do this, get the music out.
If I'm feeling confident, then I write confident, happy, or assured music. I can hear some early electronic sketches I did where I'm clearly not confident and everything's a bit mid-range, nothing really pushes through.
I was raised in Harlem. I never found a book that took place in Harlem. I never had a church like mine in a book. I never had people like the people I knew. People who could not find their lives in books and celebrated felt bad about themselves. I needed to write to include the lives of these young people.
You write one book and you're ready for fame and fortune. I don't know that people are spending the time and attention on learning how to write-which takes years. Everybody sees the success stories.
When I was 28 years old, I found myself in Schenectady, New York, where I discovered that it was possible for some people to make a good living as physicists.
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