A Quote by Nicole Ari Parker

Any actor will tell you that you go where the work is, especially when you have children. — © Nicole Ari Parker
Any actor will tell you that you go where the work is, especially when you have children.
It's not like there's no work in Scotland, but speak to any actor, and they'll tell you it's limited. So you have to go to London or Manchester to broaden your horizons.
I think any actor will tell you that they always assume they'll never work again, so every job becomes important.
You can't tell parents to teach children the value of work when we don't have jobs and the jobs we have don't pay a decent wage. You can't tell children to achieve and then let them go to broken-down schools with teachers who don't care. We need a consistency of values in our public, corporate, and private lives.
It can't be overstated how wonderful it is not to have to audition any more. Any actor will tell you, it's like Christmas.
Your intuition will tell you where you need to go; it will connect you with people you should meet; it will guide you toward work that is meaningful for you - work that brings you joy, work that feels right for you.
I have no problem having any actor from anywhere play a role. I'm excited for any actor that gets a job, I truly am. Even if it's a role that I'm up for and I don't get it, I never begrudge any actor having it work out for them.
Any actor will tell you, as soon as your ego and your vanity come into the mix, it destroys your work. Completely destroys it.
I direct as an actor. Many times, I will say, 'Let me try this.' And I'll walk the scene through and see what I can tell the actor about it. I don't know what to tell him until I've actually tried it and seen what the problem is.
In any bureaucratic organization there will be two kinds of people: those who work to further the actual goals of the organization, and those who work for the organization itself. Examples in education would be teachers who work and sacrifice to teach children, vs. union representative who work to protect any teacher including the most incompetent. The Iron Law states that in all cases, the second type of person will always gain control of the organization, and will always write the rules under which the organization functions.
In this day and age, when there are so many people creating work online and writing their own shows, I wouldn't tell another actor, 'If you can do anything else go do that.' I would tell them to figure out the story they want to tell, to figure out what artists inspire you and why, and then figure out a way you can create that for yourself.
Working with children is very different than the way in which I work with adults. One has to work just as much with children as with adults, but the manner of work is very different. I never tell the children the actual truth of the thing that I want them to act.
I never think of an actor as a model. A model wears what you tell them to wear, that's their job. An actor is different. It's important to work with the actor because in the end that's who the audience sees and that's the success that you need.
Youths write me and tell me that their band will go nowhere because of all the bad bands in the world. I tell them there has always been awful music and that no great band ever wasted any time complaining, they just got it done. Their ropey ranting is just a way to get out of the hard work of making music that will do some lasting damage.
A lot of parents tell their children that if they want to be an actor, that's fine, but they should do something else first, so they've got something to fall back on. It doesn't work like that, as far as I'm concerned.
It's very hard to tell an actor, 'Stop acting.' It's easy to tell a non-actor, because they're embarrassed when they act. They get ashamed when they do something cliche, whereas an actor is happy.
You don't go to Berkeley to become an actor. In fact, I don't think you go to any school to become an actor. You've just sort of got to go out there and act.
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