A Quote by Nicole Blackman
When I knew what I had to do / I took all my notebooks, all my manuscripts / and ate them page by page / so I could take my words with me
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You are wrong if you think that you can in any way take the vision and tame it to the page. The page is jealous and tyrannical; the page is made of time and matter; the page always wins.
It was probably 10 at night when I started to read Donnie Darko. I get in bed and read the first page, and I go, "Hmmm. That's interesting." Second page, "Wow." By the fourth page, my heart started to beat, and I knew. It makes me cry, because I knew I had found a classic film. You just know when you get certain material.
I used to say Page Joseph Falkinburg - which is my given name - when Page Joseph Falkinburg stopped trying to be this over-the-top professional wrestler, Diamond Dallas Page, and Diamond Dallas Page became Page Joseph Falkinburg, that's when my career took off.
When I write, the first blank page, or any blank page, means nothing to me. What means something is a page that has been filled with words.
I go through all of my old notebooks, and I put an X on every page when everything has been entered into the computer, and sometimes that takes 15 years. But eventually the notebooks are full of X's, and they're no good to me anymore.
The art of fiction is one of constant seduction. You must persuade the reader on page 1 to start reading - on page 50, or page 150 and yes, on page 850.
The whole problem with news on television comes down to this: all the words uttered in an hour of news coverage could be printed on a page of a newspaper. And the world cannot be understood in one page.
Every page of content you've created could be the first interaction with your web site.Think of every page as a home page.
Writing a screenplay needs to be more than words on a page - and by the way, I think the words on the page are something you have to try to execute on the highest level you can; I'm not dismissing that by any regard.
Poetry, I thought then, and still do, is a matter of space on the page interrupted by a few well-chosen words, to give them importance. Prose is a less grand affair which has to stretch to the edges of the page to be convincing.
I try to gauge whether a girl likes me before I make a move. I would write a page-long note to a girl. If she wrote a whole page back, I knew she liked me, too. If she wrote back like two words, then I figured I'd move on.
I try to gauge whether a girl likes me before I make a move. I would write a page-long note to a girl.If she wrote a whole page back, I knew she liked me, too. If she wrote back like two words, then I figured I'd move on.
It seemed uncanny that words, spread across a page just so, had the power to transport me to another time or place. But they could.
We read five words on the first page of a really good novel and we begin to forget that we are reading printed words on a page; we begin to see images.
Yes, the fear of its blankness. At the same time, I kind of loved it. Mallarmé was trying to make the page a blank page. But if you're going to make the page a blank page, it's not just the absence of something, it has to become something else. It has to be material, it has to be this thing. I wanted to turn a page into a thing.
I always write my first draft in longhand, in lined notebooks. I move around the house, sitting where I like, and watch the words spool out in front of me, actually taking a lot of pleasure in the way they look in my strange handwriting on the page.
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