A Quote by Nicole Brossard

Writing is a consciousness formally at work in the territory of the imaginary. — © Nicole Brossard
Writing is a consciousness formally at work in the territory of the imaginary.
You know, they ask me if I were on a desert island and I knew nobody would ever see what I wrote, would I go on writing. My answer is most emphatically yes. I would go on writing for company. Because I'm creating an imaginary - it's always imaginary - world in which I would like to live.
I began photographing around 14; my mother gave me a camera, it's actually the one I still use for creating most of my work. My career has evolved from literally figuring out how to formally structure a photograph, to going through graduate school and trying to formally structure my thoughts. A sort of gradual learning, then unlearning.
The world consists of imaginary people, claiming imaginary virtues and suffering from imaginary happiness.
I'd love to write some porn, but I don't know if I have the right engines. When I was a young man and I was tempted to write porn, imaginary parents would appear over my shoulder and read what I was writing; just about the point that I managed to banish the imaginary parents, real children would lean over my shoulder and read what I was writing.
For any artistic person who creates imaginary people, the art is like inhabiting the life and mind of a seven-year-old child with imaginary friends and imaginary events and imaginary grace and imaginary tragedy. Within that alternate universe, the characters do have quite a bit of free will. I know it's happening in my mind and my mind alone, but they seem to have their own ability to shape their destinies. So I'm not shooting for anything. If the characters are vulnerable it's simply because they're very human.
A language possesses utility only insofar as it can construct conventional boundaries. A language of no boundaries is no language at all, and thus the mystic who tries to speak logically and formally of unity consciousness is doomed to sound very paradoxical or contradictory. The problem is that the structure of any language cannot grasp the nature of unity consciousness, any more than a fork could grasp the ocean.
I've always regretted the fact that I've never formally studied and learned the mechanics of writing music.
Boundary, n. In political geography, an imaginary line between two nations, separating the imaginary rights of one from the imaginary rights of another.
Storytelling is one of comics' esthetic hurdles at the moment, which was the novelist's problem 150 years ago: namely, to take comics from storytelling into that of "writing," the major distinction between the two to me being that the former gives one the facts, but the latter tries to recreate the sensation and complexities of life within the fluidity of consciousness and experience. As far as I'm concerned, that's really all I've been trying to do formally for the past decade or more with comics, and it's certainly time-consuming, since it has to be done with drawings, not words.
Even when I'm writing in character I'm normally still writing about things I know or things that have happened to me or using that character to start an exploration of my own consciousness. Really though, any character that you can examine is just an examination of a part of your own consciousness.
If the E.U. formally becomes a union of different speeds it would in effect be formally divided into better and worse members and it would to a large extent lose its attractiveness for those countries that were deemed second class.
I've laid out a plan for how we keep people safe here at home, and I've laid out a plan of how we wage war and win by denying ISIS territory overseas. We must deny them their territory because the territory that they've conquered because Hillary Clinton and Barack Obama declared victory in Iraq and against every generals advice withdrew all of our troops, leaving a vacuum, weaponry, territory for ISIS to conquer, that territory, their caliphate, is that from which they draw legitimacy, potency, credibility. We have to deny them that territory.
If you understand writing as primarily engaging an imaginary reader, well, you've kind of been doing that your whole life. You walk into a room and you're engaging with imaginary strangers because you don't actually know who they are. For me, it was really empowering to say: this is a branch of entertainment and communication and engagement, as opposed to jumping over some perceived literary high bar. That was the buzzkill.
Sweden formally writing back to the United Nations to say, 'No, we're not going to [recognise the UN ruling], so leaving open their ability to extradite.
Hypnotism is trespass into the territory of another's consciousness. Its temporary phenomena have nothing in common with the miracles performed by men of divine realization.
People really want to believe that there is no fiction. I think they find it much easier to imagine that novelists are writing memoirs, writing about their lives, because it's difficult to conceive that there's a great imaginary life in which you can participate.
This site uses cookies to ensure you get the best experience. More info...
Got it!