A Quote by Nicole Brossard
To be a poet is to place pleasure, beauty and sensual delights front and centre, it means having a predilection for debauchery.
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One more royal trait properly belongs to the poet. I mean his cheerfulness, without which no man can be a poet,--for beauty is his aim. He loves virtue, not for its obligation, but for its grace; he delights in the world, in man, in woman, for the lovely light that sparkles from them. Beauty, the spirit of joy and hilarity, he sheds over the universe.
I'm a Christian, but I'm not a puritan. I believe in pleasure and orgiastic pleasure has its place, intellectual pleasure has its place, social pleasure has its place, televisual pleasure has its place [in life].
A poet dares to be just so clear and no clearer; he approaches lucid ground warily, like a mariner who is determined not to scrape his bottom on anything solid. A poet's pleasure is to withhold a little of his meaning, to intensify by mystification. He unzips the veil from beauty, but does not remove it. A poet utterly clear is a trifle glaring.
My sense of the poet is classical - the poet is one who makes poems. In each book, I develop and repeat certain general themes - time, place, memory, God, history, class, race, beauty, love, poetry, identity. The core identity is the poet making the poems.
Almost every sin is committed for the sake of sensual pleasure; and sensual pleasure is overcome by hardship and distress arising either voluntarily from repentance, or else involuntarily as a result of some salutary and providential reversal. 'For if we would judge ourselves, we should not be judged; but when we are judged, we are chastened by the Lord, so that we should not be condemned with the world.' (1 Cor. 11:31-32).
If it is the result of a pure love, there can be nothing sensual in marriage. Chastity is something positive, not negative. It isthe virtue of the married especially. All lusts or base pleasures must give place to loftier delights. They who meet as superior beings cannot perform the deeds of inferior ones.
The most rapturous delights you have ever had - in the beauty of a landscape, or in the pleasure of food, or in the fulfillment of a loving embrace - are like dewdrops compared to the bottomless ocean of joy that it will be to see God face-to-face (1 John 3:1-3). That is what we are in for, nothing less. And according to the Bible, that glorious beauty, and our enjoyment of it, has been immeasurably enhanced by Christ's redemption of us from evil and death.
A poet's pleasure is to withhold a little of his meaning, to intensify by mystification. He unzips the veil from beauty, but does not remove it.
The difference between a poet and a philosopher is that the poet sees logically and describes basically the beauty whereas the philosopher defines the basics and shows the beauty of logics.
Fasting is as sensual as eating. Being celibate is as sensual as having sex. They're just different choices, different videos that you've selected to view tonight.
Having a place means that you know what a place means...what it means in a storied sense of myth, character and presence but also in an ecological sense...Integrating native consciousness with mythic consciousness
Sorrow, terror, anguish, despair itself are often the chosen expressions of an approximation to the highest good. Our sympathy in tragic fiction depends on this principle; tragedy delights by affording a shadow of the pleasure which exists in pain. This is the source also of the melancholy which is inseparable from the sweetest melody. The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself.
What shocks the virtuous philosopher, delights the chameleon poet.
Love was something different. Love was pure delight, a fountain of emotions, sensual delights, and enjoying spending time together.
The viewing centre was a place you go to watch football in Nigeria but you have to pay to watch football at a viewing centre, so if you don't have the means or the money to pay, you can't watch.
To be a political poet means simply to be a poet, and any poet worth their salt will be a political animal in their own peculiar way - they have no choice: politics is one of the many fragments we thread into the tapestry of the poem.
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