A Quote by Nicole Brossard

Language is magic: it makes things appear and disappear. — © Nicole Brossard
Language is magic: it makes things appear and disappear.
I have read of a glass kept in an idol temple in Smyrna that would make beautiful things appear deformed, and deformed things appear beautiful; carnal sense is such a glass to wicked men, it makes heavenly things which are beautiful to appear deformed, and earthly things which are deformed to appear beautiful.
The human race will disappear. Other races will appear and disappear in turn. The sky will become icy and void, pierced by the feeble light of half-dead stars. Which will also disappear. Everything will disappear. And what human beings do is just as free of sense as the free motion of elementary particles. Good, evil, morality, feelings? Pure 'Victorian fictions'. Only egotism exists.
There is this tendency to think that if you could only find the magic way, then you could become a poet. "Tell me how to become a poet. Tell me what to do." . . . What makes you a poet is a gift for language, an ability to see into the heart of things, and an ability to deal with important unconscious material. When all these things come together, you're a poet. But there isn't one little gimmick that makes you a poet. There isn't any formula for it.
Appearances to the mind are of four kinds. Things either are what they appear to be; or they neither are, nor appear to be; or they are, and do not appear to be; or they are not, and yet appear to be. Rightly to aim in all these cases is the wise man's task.
There are 3 kinds of magic in our world. The peddling little magician magic like Uncle Andrew in 'The Magicians Newphew' where people mess around with things they don't understand. It's movie magic. Then there is the magic of the evil side of things. The demonic forces. And that's not really magic... it's corruption of what really exists. And then finally there is the magic of the Holy Spirit of God which is the creation and maintenence of the universe. We don't understand it... and we haven't the faintest idea how He does it. But it's real. That's the deep magic.
If the world held magic powerful enough to make the elephant appear, then there must exist, too, magic in equal measure, magic powerful enough to undo what had been done.
Nothing makes you feel more stupid than learning a new language. You lose your confidence. You want to disappear. Not be noticed. Say as little as possible.
As countries appear and disappear, then I began to ask, what makes countries successful? And it turns out, after a long slog through geographies and ethnicities and all kinds of variables, it's the ability to adapt and adopt, what Darwin talked about.
All things appear and disappear because of the concurrence of causes and conditions. Nothing ever exists entirely alone; everything is in relation to everything else.
What I like about fairy tales is the language and the matter-of-fact way of introducing magic, where it's accepted that a fox could talk or a gate could just appear in a wall. I think fairy tales are so psychological.
I am adding another language to the spoken language, and I am trying to restore to the language of speech its old magic, its essential spellbinding power, for its mysterious possibilities have been forgotten.
Here is the fate of the man: To appear and to disappear!
I can't do a film where I appear in a song and then disappear.
I want to be able to control things and that's very difficult to do if you're not 100% in a particular language. It makes you uncertain and it makes you nervous.
This is what magic is. It's being able to speak in a voice which makes things happen, being able to speak in a voice which causes facts to be beheld by groups of people in a way that has been purged from profane language, for us relegated to poetry and that sort of thing.
I learned that to be amusing was not to be frivolous and that language - always the language - was the magic key as much to prose as to poetry.
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