A Quote by Nicole Byer

I moved to New York and went to a performing arts college, but it wasn't until UCB that I started performing on the regular, figuring out how I'm funny, why I'm funny, and how to play with an audience.
I moved to New York to do theater, and I got cast in a play that was funny, and then I was the funny guy. I did a movie that was funny, and then I was the funny guy.
When I grew up in Cincinnati in 1974, the Board of Education set up the performing school, similar to the New York performing arts school, and it was in walking distance from my school.
I basically started performing for my mother, going, 'Love me!' What drives you to perform is the need for that primal connection. When I was little, my mother was funny with me, and I started to be charming and funny for her, and I learned that by being entertaining, you make a connection with another person.
I basically started performing for my mother, going, 'Love me!' What drives you to perform is the need for that primal connection. When I was little, my mother was funny with me, and I started to be charming and funny for her, and I learned that by being entertaining, you make a connection with another person.
I went to really good New York City public schools that had arts programs. So in junior high, I got into the drama department. From there, I went to a performing arts high school in New York City called Laguardia and I just kind of fell into the professional side by happenstance.
I play-acted and started performing, which just logically led to doing it in school, which led to studying it in college, which led to auditioning to the showcase in New York. And then I had an agent, and I was an actress.
I definitely love performing live because there are moments of spontaneity. And as much as you're performing on stage, I feel like the audience is performing, too.
My dad was a really funny, really talented guy who had a great success in a limited audience. But from him, I learned that he always felt the audience was entitled to 150 per cent. If he was performing at an event, he'd keep playing until the last person had finished dancing.
Mac [Barnett]and I both had times when we moved, started new schools, and we know how hard that was, figuring out your identity and who you're going to be at the new school.
The magic in performing as an entertaining ventriloquist happens when the characters come to life and the interaction between the separate personalities on stage becomes 'real.' Then don't forget that the act has to be funny, and to me, being funny and entertaining any given audience is more important than anything.
I was always in dance and performing arts school. All of my schools were performing arts. I'm the one that, like, turns up the whole party.
Performing in each city is a different experience. But somehow, New York is unique. It is like performing in the entertainment capital of the world.
I had gone to the High School of the Performing Arts in New York City.
The problem is that we live in an uptight country. Why don't we just laugh at ourselves? We are funny. Gays are funny. Straights are funny. Women are funny. Men are funny. We are all funny, and we all do funny things. Let's laugh about it.
I tend to develop my rambling anecdotes by actually getting up and performing them. That's the joy/horror of stand up - if you have the germ of an idea that you think might be funny, there is a way of finding out if it's funny very quickly.
I was a good but not super serious student until about 10th grade, until I was about 14 or 15. Then I started to realise how competitive the world is. I started to meet kids who were more high-performing.
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