A Quote by Nicole Kidman
I credit literature for the reason I act because that was the door to me saying, ‘Oh! I can be somebody else. I can exist as someone else.’
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I'm able to lead my life as well as make a film. My wife and my friends and people around me know that I do tend to distance myself a little bit during the making of a film, but I have to, it's a natural part of the process for me because you are indulging in the headspace of somebody else, you are investing in the psychology of somebody else and you are becoming somebody else, and so there isn't enough room for you and that somebody else.
The way they control a population is by pointing at somebody else - whether they're gay, Mexican, Jewish, black - and saying, 'They are different than you. They're the reason you're in the shape you're in. You're not responsible.' And when they exonerate you through vilifying and demonizing someone else, they control you.
Gaga and Stefani are my nicknames. I guess when people meet me for the first time and call me Stefani, it bothers me. Because it's something that's reserved for only the people who are closest to me. It's not because I don't like my given name; it's that I became somebody else. I became somebody else for a reason, you know. This is part of what my message is - you can become whoever you want to be, to escape your past.
I'm apologetic when I feel like I've made a mistake. And when I have done a disservice to myself or someone else. But I don't feel a need to apologize for doing or saying something that I think needs to be said, just because it may not sit comfortably with somebody else.
I think the whole reason I act is because it's much more fun to be somebody else. I'm pretty boring.
That's because you've never been one. You haven't spent years wearing someone else's clothes, taking someone else's name, living in someone else's houses, and working someone else's job to fit in. And if you don't sell out, then you run away... proving you're the Gypsy they said you were all along.
I need a costume to be convinced that I'm somebody else. Otherwise, it's just me. It's just Amy saying lines. I haven't really become somebody else. And what's the fun in that?
I always panic on the first day of work. You can do all the Stanislavsky-backstory homework, but when that moment arrives and you are in the clothes, hair, and makeup of somebody else, and you're saying the words created by somebody else - I never know how to do it. It's a complete mystery to me.
I think of love as an action. Finding something that's outside of yourself, to serve someone else's soul, helping to ignite someone else's spirit, to bring about ease of heart and joy, serenity in somebody else.
One of the things that surprised me the most is how often we assume that because something's fun for someone else, it makes somebody else happy, it will make us happy.
People have more dimensions to them than we give them credit for. The person you meet on the street that you think is someone, and it's someone else. I'm mistaken for someone else all the time.
Writing is writing to me. I'm incapable of saying no to any writing job, so I've done everything - historical fiction, myths, fairy tales, anything that anybody expresses any interest in me writing, I'll write. It's the same reason I used to read as a child: I like going somewhere else and being someone else.
I'm proud of my independence. And certainly from a business perspective, that's always been a main agenda for me - to make my own position, don't try and be like somebody else, because there already is that somebody else.
Sometimes I might get in the door a little quicker than somebody else because of my last name. But if I'm not prepared, I'm not afforded the luxury of, 'Oh, he's a little green.' It's, 'He's not talented,' where the next guy can have a bad day.
My mentality is I've never been the guy that always has to be the center of attention or has to be the front guy. I have no problem doing my job and somebody else getting the credit, or the attention being on somebody else.
The radio is good for taking somebody else's experience and making you understand what it would be like. Because when you don't see someone, but you hear them talking - and, uh, that is what radio is all about - it's like when someone is talking from the heart. Everything about it conspires to take you into somebody else's world.
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