A Quote by Nicole Kidman
The thing I'm not good with is mediocrity, when someone isn't really trying to reach something.
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As Aristotle wrote a long, long time ago, and I'm paraphrasing here, the goal is to avoid mediocrity by being prepared to try something and either failing miserably or triumphing grandly. Mediocrity is not about failing, and it's the opposite of doing. Mediocrity, in other words, is about not trying. The reason is achingly simple, and I know you've heard it a thousand times before: what doesn't kill you makes you stronger.
I realized that if you're trying to reach an audience, being as subjective as possible and really trying to write from something genuine is the way to go. Really it's mostly from my own process, my own experience.
One thing I think is true is that is you have someone who's really good in one or a few areas they can pick up something new pretty quickly and that's kind of a hallmark of someone you really want to hire because they can be very useful in a whole bunch of different areas.
A lot of really good actors are able to go straight from life to their work. They don't treat it as something that's an unattainable, weird thing that they have to aspire to and reach for in a scene.
When you're someone in the media, the good thing is, I guess, that you can reach a lot of people.
So many people live lives of silent mediocrity, convinced that what really matters to them is out of their reach. So they settle.
Something you hear a lot is that feminism dead. But if feminism is dead, why do people try so hard to kill it? Something just isn't making sense there. So I think when young women hear like, hey, someone's trying to get something over on me, you know, someone's trying to deliberately keep me away from a movement that could make my life better, I think that really resonates with them.
I'm not very good at sounding like other people. When you're going through your 20's and trying to get a break and that kind of thing, and you're trying to do something that sounds like film music, your idea of what it would be, it never really worked out for me and it's only really when I learned to trust the fact that I could only really sound like me.
For example, when someone does something really, really good one time but has a little mishap later, people will still say, "Ah, that person is not like that. He's a good person. Don't you know what he did last time?" It will become like that. Once you have achieved perfection, the rest will be "free". After that, you can do whatever you want so in order to reach my 100 potential, I have to have a resilient attitude.
I've grown to love L.A., but it's the most socially awkward place. All these people have come there not to be something but to pretend to be someone trying to be someone. Even in line for coffee, you're standing with someone who's trying to be so interesting.
If people keep telling you you can't do a thing, then you need to find a really good reason to continue. If someone tells you you can't do something, how will you know? If someone tells you something is impossible, how will you know?
Persistence is incredibly important. Persistence proves to the person you're trying to reach that you're passionate about something, that you really want something.
Tell me what's wrong with this idea: If you're selling to somebody, find someone like that person to sell to them. If you're trying to reach swing voters, if you're trying to reach people on the fence, if you're trying to reach Republicans who are unsure about this candidate... get people who switched! Get people who are registered Republicans. Get people who were George Bush voters who can't bring themselves to do it again. Talk to them, get them to explain what their reasons are, and show them to people. What's wrong with this idea?!
It really helped to have someone whose taste I really trusted who I knew was really smart and a really good writer. Sometimes I find it hard to judge my own work so it was good to have someone who could look at it. It was like, "Oh, she likes it, then it's good."
A good number of works owe their success to the mediocrity of their authors' ideas, which match the mediocrity of those of the general public.
There's two types of hecklers. If someone says something really funny it's normally them heckling as part of the show. They're trying to add onto one of your jokes. If someone says something really funny, I've never seen a comedian abuse them, you always sort of tip your hat a little bit if they nail it.
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