A Quote by Nicole Kidman

When I was working with Stanley Kubrick [on "Eyes Wide Shut"], he would always say, "You never tell the audience what to feel. Let them choose to have their responses." — © Nicole Kidman
When I was working with Stanley Kubrick [on "Eyes Wide Shut"], he would always say, "You never tell the audience what to feel. Let them choose to have their responses."
I remember hearing a good story about Jack Nicholson working with Stanley Kubrick on The Shining [1980]. Nicholson was saying that, as an actor, you always want to try to make things real. And believable. When he was working with Kubrick, he finished a take and said, "I feel like that was real." And Kubrick said, "Yes, it's real, but it's not interesting".
Stanley Kubrick was brilliant at getting under the audience's skin. He was very interested in the idea of, 'How can I tell this with just a camera?'
'Love' has that Kubrick tonality to it, but this is not a Stanley Kubrick movie - there will never be another. At the same time, 'Love' has a modern feel. For example: In one scene, these astronauts go through a wormhole sequence, and you feel like you're being slapped around inside your head by a sonic boom.
I think all of the directors I've worked with are mostly curious about the time I had on 'Eyes Wide Shut.' They really just want to know about it. They're all fans of Kubrick.
I'd worked in Clockwork Orange with Stanley Kubrick and since Stanley was such a prestigious director this opened all sorts of doors for me - one of them being Star Wars.
I actually met a producer of Stanley Kubrick's who told me that Kubrick had never even thought about doing Perfume: The Story Of A Murderer. He just read it and didn't want to do it - that's it. There's a myth around that he said it's not filmable. But he never wanted to film it.
Stanley Kubrick was very selective when he went into a close-up. Every director has his taste in a performance, but Stanley would explore a scene to find what was most interesting for him.
Stanley Kubrick was a big inspiration. People accuse me of never using my own material. But when did Kubrick? You look at his films and they are completely unique... completely separate entities.
It's often the case with directors that they don't like to share credit, which is the case of Stanley. He would prefer just A Film By Stanley Kubrick including music and everything.
Working on '2001' was my film school. Stanley Kubrick was my mentor.
I've never been offered a job that I turned down and regretted. I didn't have Stanley Kubrick offer me something and me say no.
At age 12 I had an obsession with Kubrick's A Clockwork Orange and then proceeded to watch all the other Kubrick films I could including a doc called Stanley Kubrick: A Life in Pictures in which it was revealed to me that he started as a photographer...I got a camera sometime shortly after, but spent many years just photographing flowers in my neighborhood.
People say, 'Are you afraid? Are you scared for your life?' and I tell them: If I choose today to tone it down, if I choose today to shut up, tomorrow me, you, and all of us will be forced to.
It would be incredible to work with Stanley Kubrick and go back in time.
There is no shame in loving. If your septons say there is, your seven gods must be demons. In the isles we know better. Our gods gave us legs to run with, noses to smell with, hands to touch and feel. What mad cruel god would give a man eyes and tell him he must forever keep them shut, and never look at all the beauty in the world? Only a monster god, a demon of the darkness.
My first job after drama school was with Stanley Kubrick. It was only a few lines in 'A Clockwork Orange', but I was working with a master of cinema.
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