A Quote by Nicole Krauss
For her I changed pebbles into diamonds, shoes into mirrors, I changed glass into water, I gave her wings and pulled birds from her ears and in her pockets she found the feathers, I asked a pear to become a pineapple, a pineapple to become a lightbulb, a lightbulb to become the moon, and the moon to become a coin I flipped for her love.
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I could distinguish the shape of her bosom, her arms, her thighs, just as I remember them now, just as now, when the Moon has become that flat, remote circle, I still look for her as soon as the first sliver appears in the sky, and the more it waxes, the more clearly I imagine I can see her, her or something of her, but only her, in a hundred, a thousand different vistas, she who makes the Moon the Moon and, whenever she is full, sets the dogs to howling all night long, and me with them.
She really started to cry, and the next thing I knew, I was kissing her all over - anywhere - her eyes, her nose, her forehead, her eyebrows, and all, her ears - her whole face except her mouth and all.
I have actually known a case where a Woman has exterminated her whole household, and half an hour afterwards, when her rage was over and the fragments swept away, has asked what has become of her husband and her children.
Those eerie diamond eyes shifted over to her and she stilled, as if he's willed her to do so. There was a moment of silence. And then in a rough voice the man whose life she saved spoke four words that changed everything...changed her life, changed her destiny: "She. Comes. With. Me.
She sat leaning back in her chair, looking ahead, knowing that he was as aware of her as she was of him. She found pleasure in the special self-consciousness it gave her. When she crossed her legs, when she leaned on her arm against the window sill, when she brushed her hair off her forehead - every movement of her body was underscored by a feeling the unadmitted words for which were: Is he seeing it?
In my mind, I gave the woman gifts. I gave her a candle stub. I gave her a box of wooden kitchen matches. I gave her a cake of Lifebuoy soap. I gave her a ceilingful of glow-in-the-dark planets. I gave her a bald baby doll. I gave her a ripe fig, sweet as new wood, and a milkdrop from its stem. I gave her a peppermint puff. I gave her a bouquet of four roses. I gave her fat earthworms for her grave. I gave her a fish from Roebuck Lake, a vial of my sweat for it to swim in.
Take love as a sober man takes wine; do not become a drunkard. If your mistress is sincere and faithful, love her for that; but if she is not, if she is merely young and beautiful, love her for that; if she is agreeable and spirituelle, love her for that; if she is none of these things but merely loves you, love her for that. Love does not come to us every day.
As a woman, she [Penelope Cruz] obviously has changed as she has become an adult. But, as an actress, I actually might say that she has not changed that much. And she has something great, especially in comedy, and she hasn't been exploited as much as she could be in comedy, but particularly in that mix between comedy and drama. She's got a very special quality about her. You can place her in very extreme situations, especially very painful situations, in terms of how her character interprets it. And sometimes, the deeper and more human that pain is, the better she is at it.
The year that Rutherford died (1938 [sic]) there disappeared forever the happy days of free scientific work which gave us such delight in our youth. Science has lost her freedom. Science has become a productive force. She has become rich but she has become enslaved and part of her is veiled in secrecy. I do not know whether Rutherford would continue to joke and laugh as he used to.
It wasn't the tattoo that had changed her, had given her repossession of her body. It was her actions, her choices. It was finding the path when it looked like there weren't any paths to be found.
Little Lotte thought of everything and nothing. Her hair was as golden as the sun's rays, and her soul as clear and blue as her eyes. She wheedled her mother, was kind to her doll, took great care of her frock and her red shoes and her fiddle, but loved most of all, when she went to sleep, to hear the Angel of Music.
He called her a melon, a pineapple, an olive tree, an emerald, and a fox in the snow all in the space of three seconds; he did not know whether he had heard her, tasted her, seen her, or all three together.
[Keeping kosher was] the symbol of an initiation, like the insignia of a secret brotherhood, that set her apart and gave her freedom and dignity. Every law whose yoke she accepted willingly seemed to add to her freedom: she herself had chosen . . . To enter that brotherhood. Her Judaism was no longer a stigma, a meaningless accident of birth from which she could escape . . . It had become a distinction, the essence of her self-hood, what she was, what she wanted to be, not merely what she happened to be.
When I was about to break a world record and become well known, my mother used to say that for her the important thing was for me to become a doctor - a career which had not been possible in her generation and in her society. Sport was something to be set aside.
What is it about possessing things? Why do we feel the need to own what we love, and why do we become jerks when we do? We've all been there- you want something, to possess it. By possessing something you lose it. You finally win the girl of your dreams, the first thing you do is change her. The little things she does with her hair, the way she wears her clothes or the way she chews her gum. Pretty soon what you like, what you changed, what you don't like, blends together like a watercolor in the rain.
Marisa! Marisa!” The cry was torn from Lord Asriel, and with the snow leopard beside her, with a roaring in her ears, Lyra’s mother stood and found her footing and leapt with all her heart, to hurl herself against the angel and her daemon and her dying lover, and seize those beating wings, and bear them all down together into the abyss.
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