A Quote by Nicole Krauss
I think in the whole field of questions about what we take to be "real," one of those questions is about the self. When you talk about the self we're always talking about whether it's a construction and it's a construction we're always in the process of working on. I don't think that work ever ends, to some degree.
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My background is such that I am uneasy about religious laws, I think there's always a real danger when you start appealing to a higher authority. It's self-righteousness, it's not righteousness, it's self-righteousness that takes control. But I think that it's absolutely crucial that that's not confused with the debate that takes place over Shari'a law in Great Britain at the moment. Because as far as anybody is concerned, when you talk about Shari'a courts now you're talking about - I don't know what people think.
I always feel so pretentious talking about comedy and deconstructing it. It always feels somehow self-centred to talk about any sort of process.
The great philosophers of the 17th and 18th centuries did not think that epistemological questions floated free of questions about how the mind works. Those philosophers took a stand on all sorts of questions which nowadays we would classify as questions of psychology, and their views about psychological questions shaped their views about epistemology, as well they should have.
I guess I was just always one of those guys who asked those fundamental questions: 'Who am I? What's this for? Why? What does this mean? Is this real?' All these pretty basic questions. I like making movies about people who are self-conscious in that way, and are trying to feel their way through the world.
Lately I've been thinking about the idea that all novels are, at least in some way, about the process of writing a novel - that the construction of the book and the lineage of people constructing novels are always part of the story the author is telling. I think the equivalent for memoir should be that all memoirs are, in some way, about the process of memory. Memoirs are made out of a confusing, flawed act of creation.
I don't write books because I have answers. I write books because I have questions. What we are is the questions that we ask, not the answers that we provide. It's all about the process of self-examination. I think that's what the best writing always contains.
But if you're talking about fine art work, then I think you have to ask yourself some pretty deep questions about why it is you want to take pictures and what it is you want to say.
I think there's some pretty amazing language in the Bible. The thing that's always been interesting to me about religion is that compared to the more modern spirituality, the West Coast pseudo-Buddhist thing that people go for these days, actual Buddhism and Islam have been looking at these philosophical questions, at really hard questions, for a long time. There's a lot of stuff that philosophy doesn't talk about, and in the secular world, a lot of times, people don't talk about these ideas, and that was always really interesting for me.
God will probably allow us to ask questions about and discover some of the things we've always been curious about. Isn't it marvelous to think about how we will be able to actually meet and talk to people who lived throughout history?
The one thing I have always felt about musical theatre is that it is, to an extraordinary degree, about construction.
I close my eyes and I take a deep breath and I think about my life and how I ended up this way. I think about the ruin, devastation and wreckage I have caused to myself and to others. I think about self-hatred and self-loathing. I think about how and why and what happened and the thoughts come easily, but the answers don't.
I think this is what college is all about: self-examination and dealing with those questions of "Who am I?"
When we talk about total war, and we talk about war zones, and we talk about the breakdown of the cities, when you exclude questions of race from that discourse, something disappears that's really central to the forms of repression that we're talking about.
I wanted to answer big questions about humanity, about how it is that we understand about the world, how we can know as much as we do, why human nature is the way that it is. And it always seemed to me that you find answers to those questions by looking at children.
Why do I write about China? That is a very good question. I think there are questions about China that I haven't been able to answer. The reason I write is that there are questions to which I want to find answers - or I want to find questions beyond those questions.
I think always what happens when you ask men questions on the red carpet, it's always based on what projects they're working on, whatever they're about, rather than this, 'Give us little tips for all of us women'... because we're all the same. Questions should just be more individual.
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