A Quote by Nicole Krauss
A couple months after my heart attack, fifty-seven years after I'd given it up, I started to write again. I did it for myself alone, not for anyone else, and that was the difference. It didn't matter if I found the words, and more than that, I knew it would be impossible to find the right ones.
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I was a writer first, and knew I'd be a storyteller at age seven. But since my parents are very practical, they urged me to go into a profession that would be far more secure so I went to medical school. But after practicing medicine for a few years, while raising two sons (with a husband who was also a doctor) I realized that combining medicine with motherhood was more of a challenge than I could handle. So I left medicine and stayed home. And that's when I once again picked up the pen and began to write.
Lotta people don't realize when you grow up with people, you have an affinity, a relationship you don't get with anyone else. After you're twenty years old, anyone you meet after that, it's different from the people you knew before.
It took me 13 months just to prepare for 'M.S. Dhoni'... I started by watching every single video I could find of his, repeatedly. After three months, people who met me started saying that they could see similarities, and I knew I was on the right path.
The same costume will be Indecent ten years before its time, Shameless five years before its time, Outre (daring) one year before its time, Smart (in its own time), Dowdy one year after its time, Ridiculous twenty years after its time, Amusing thirty years after its time, Quaint fifty years after its time, Charming seventy years after its time, Romantic one-hundred years after its time, Beautiful one-hundred-and-fifty years after its time.
In 2011, I did an internship in Seven Dials, a junction in London where seven roads come together. I'd given up on writing after multiple rejections for my first novel, and I was starting to consider a career in publishing instead, but Seven Dials gave me such a strong idea for a setting that I couldn't resist picking up my pen again.
My brother was in high school and he had a garage band going, but no one would sing. They were covering a Hatebreed song at the time and I knew the words for it. My brother knew I knew the words, so he came inside the house and he's like 'Hey Mitch, come out here and sing'. I did it and after that I started a band with my older brother. That's how I got started.
At a certain point, I started playing improvised music. After a couple of years of this, I did a little bit of analysis and found most improvised music the kind I was listening to at least, which was mainly European to be as, if not more, formulaic than any other kind of music. For example, improvised pieces would often begin and end in the same way.
My writing became more and more minimalist. In the end, I couldn't write at all. For seven or eight years, I hardly wrote. But then I had a revelation. What if I did the opposite? What if, when a sentence or a scene was bad, I expanded it, and poured in more and more? After I started to do that, I became free in my writing.
A few months after NASA was formed, I was asked if I knew anyone who would like to set up a program in space astronomy.
I had a lot of great lakes of ignorance that I was up against, I would write what I knew in almost like islands that were rising up out of the oceans. Then I would take time off and read, sometimes for months, then I would write more of what I knew, and saw what I could see, as much as the story as I could see. And then at a certain point I had to write out what I thought was the plot because it was so hard to keep it all together in my head. And then I started to write in a more linear way.
Six months after we started, in 1964, there was a day when we sold only seven sandwiches. If we'd taken all the money from the register, we couldn't have paid an employee, much less the food or the rent or all that. It could have been a turning point. We could have given up.
He insists on a version of you that is funnier, stranger, more eccentric and prfound thatn you suspect yourself to be--capable of doing more good and more harm in the world than you've ever imagined--it is all but impossible not to believe, at least in his presence and a while after you've left him, that he alone sees through your essence, weighs your true qualities . . . and appreciates you more fully than anyone else ever has.
We went back on a very similar manifesto to things I believe in. The difference is that after eighteen months to two years he did the biggest U-turn on policy of all time and started to go the wrong way. In the end, that cost us the next election.
We bought property after Iniki in '92. I figured we'd never find better bargains. As it turned out, we didn't get a bargain, but we did find the spot we wanted to live on. It actually took a couple years to secure that spot. Then, after we moved, it took over 10 years to start construction on the house. It's still a work in progress.
You're going to feel good. But no matter how much you rehab you do, you can't speed up the healing process. I would rather see a guy come back in 14 months and pitch seven, eight or nine more years then come back in 10 months and get hurt again. You cannot mess with mother nature and father time. Nature will heal it if you give it time.
I'd never seen anything more beautiful - even as I ran, gasping and screaming, I could appreciate that. And the last seven months meant nothing. And his words in the forest meant nothing. And it did not matter if he did not want me. I would never want anything but him, no matter how long I lived.
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