A Quote by Nicole Krauss
I'm very interested in structure, how multiple stories are assembled in different ways; that is what memory does as well.
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I became interested in structure when I was in graduate school. How is it that the brain perceives structure in a sometimes disorganized and chaotic world? How and why do we categorize things? Why can things be categorized in so many different ways, all of which can seem equally valid?
I think I am someone who is very interested in structure and different ways of delivering jokes.
Anything that is worth teaching can be presented in many different ways. These multiple ways can make use of our multiple intelligences.
These artists all have some kind of message to the public. These messages can be quite personal, maybe about their own existential situation, and it can be about suffering, it can be about questioning of one's existence and so on. They are all telling us very genuine stories, which are touching us in different ways and they are enlightening in different ways. But it's not only the stories themselves, but it's how it is done - that creates the impact of the story. It is not what is said but how it is said. I don't think you can dissociate the content from the form.
The very act of story-telling, of arranging memory and invention according to the structure of the narrative, is by definition holy. We tell stories because we can't help it. We tell stories because we love to entertain and hope to edify. We tell stories because they fill the silence death imposes. We tell stories because they save us.
There's multiple ways I express myself. Music is my first love and will always come first. But, there are other areas and industries I'm interested in that reflect different aspects of my lifestyle.
Telling our stories is what saves us. The story is enough... The very act of storytelling, of arranging memory and invention according to the structure of narrative is, by definition, holy.
The type of acting that I'm interested in, that I aspire to, is where I try and drag a lot of myself into whatever character it is. They can be very different types of characters, but at the heart of it, I always wanted to be a very, very believable and rooted in reality. One of the ways of doing that is to root it as much as you can in your own experiences and then tint those with different hues, different colors to give the different characters their way.
A book reaches a different crowd of people. There are 50 different stories of very different individuals participating in their communities either locally or nationally in meaningful ways.
We don't all see the same way at all. Even if I'm sitting looking at you, there is always the memory of you as well. And a memory is now. So someone who's never met you before is seeing a different person. That's bound to be the case. We all see something different. I assume most people don't look very hard at anything.
Humanity's legacy of stories and storytelling is the most precious we have. All wisdom is in our stories and songs. A story is how we construct our experiences. At the very simplest, it can be: 'He/she was born, lived, died.' Probably that is the template of our stories - a beginning, middle, and end. This structure is in our minds.
The best stories are universal stories that have been told for as long as humanity has existed it's just figuring out new ways to do it, with language, with structure. And so I'm always trying to do that.
We no longer see the evolution of the nervous system, but that of a certain individual. The role of the memory is very important but... not as important as we believe. Most of the important things that we do don't depend on memory. To hear, to see, to touch, to feel happiness and pain; these are functions which are independent of memory; it is an a priori thing. Thus, for me, what memory does is to modify that a priori thing, and this it does in a very profound way.
We've organized ourselves as cultures, to a large degree, around what we agree we know. And when you have multiple ways of knowing, multiple ways of organizing, the society loses one of its deepest organizational principles.
Well, I suppose I'm interested in ways of storytelling and in stories that are about storytelling.
The computer is a very regular structure. It's very uniform. It's got a bunch of memory, and it's got a little element that computes bits of memory and combines them with each other and puts them back somewhere. It's a very simple thing.
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