A Quote by Nicole Krauss
I always wrote little things when I was younger. My first opus was a book of poems put down in a spiral notebook at five or six, handsomely accompanied by crayon illustrations.
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When Emily Dickinson's poems were published in the 1890s, they were a best-seller; the first book of her poems went through eleven editions of a print run of about 400. So the first print run out of Boston for a first book of poems was 400 for a country that had fifty million people in it. Now a first print run for a first book is maybe 2,000? So that's a five-time increase in the expectation of readership. Probably the audience is almost exactly the same size as it was in 1900, if you just took that one example.
The secret of it all, is to write in the gush, the throb, the flood, of the moment – to put things down without deliberation – without worrying about their style – without waiting for a fit time or place. I always worked that way. I took the first scrap of paper, the first doorstep, the first desk, and wrote – wrote, wrote…By writing at the instant the very heartbeat of life is caught.
When I was very little, say five or six, I became aware of the fact that people wrote books. Before that, I thought that God wrote books. I thought a book was a manifestation of nature, like a tree.
I wrote my first song when I was six or seven, a silly little song. But I used to write poems in high school - not songs.
If I'm writing... even a piece of a song... I write it down. If it still resonates six months down the line, a year, even five, those are the ones you put in your bag and you take to the studio. You come to realize, the ones that don't make it, they were only meant to live for that moment in your notebook or on the 4-track-and plenty of songs never get any farther than the 4-track.
My first notebook was a Big Five tablet, given to me [at age five] by my mother with the sensible suggestion that I stop whining and learn to amuse myself by writing down my thoughts.
During the first five years that I was writing the series, I made plans and wrote small pieces of all the books. I concentrate on one book at a time, though occasionally I will get an idea for a future book and scribble it down for future reference.
If I'm very drunk, I can improvise. But generally speaking, no. Generally speaking, almost all of my work is material that was first done on the printed page. And the shorter ones that you might call poems, I had a stretch from '79, '80, for five or six years, where I wrote a lot of poetry as such. Simply because I was asked to.
I don't remember the first poem that I wrote because I've been creating poems since I was around 2 or 3. I don't have any memory of that but my mom has written evidence of it. I've always liked playing with words so when I was younger it had a lot more to do with rhyme and sounds.
[Kenneth Koch] taught children in public schools in New York City to write poems and told them down worry about rhyming, don't worry about any of that stuff. You know, write a poem where you mention three colors and make it five lines - or he would just give them, you know, little strategies. And, man, they wrote some great poems.
I always wrote poems when I was a little girl, and I loved hip hop music, and I kind of just started writing poems over beats, and that's when I started rapping.
One night, I wrote down all the things I was waiting to do with my little granddaughter, and it became a book, 'I Already Know I Love You.' It was one of those really lovely things in life.
My first book of poems was published privately in 1949. That was my mother. The book was '25 Poems.' It cost 200 dollars.
When I was very little, say five or six, I became aware of the fact that people wrote books. Before that, I thought that God wrote books. I thought a book was a manifestation of nature, like a tree. When my mother explained it, I kept after her: What are you saying? What do you mean? I couldn't believe it. It was astonishing. It was like--here's the man who makes all the trees. Then I wanted to be a writer, because, I suppose, it seemed the closest thing to being God.
About five years old, I was drawing self-portraits with the brown crayon instead of the peach crayon and, you know, the black curly hair. That's how I was portraying myself.
I started out really young, when I was four, five, six, writing poems, before I could play an instrument. I was writing about things when I was eight or 10 years old that I hadn't lived long enough to experience. That's why I also believe in reincarnation, that we were put here with ideas to pass around.
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