A Quote by Nicole Sullivan
It's a lot easier, I think, to be an actor in a movie than to spin a joke on a sitcom.
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The fact that 'Mom' is not joke, joke, joke - and is investing in these characters and their lives, things that really happen to people - I think it's resonating, and that's why people are tuning into it and not just dismissing it as a multi-cam sitcom.
I wouldn't consider myself a traditional sitcom actor or someone you'd even think would be in a sitcom.
Did I have a heart to be contented? Well, no, not particularly. I had a tendency to be discontented: ambitious, dissatisfied, fretful, and tough to please...It's easier to complain than to laugh, easier to yell than to joke around, easier to be demanding than to be satisfied.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
When you see Robert Englund in a movie, you think he is the bad guy, but if I'm not the bad guy, and I'm supposed to just kind of fool the audience, it makes it a lot easier for whichever actor is the bad guy. So I find myself doing a lot of those, I think they're called red herring characters, faking out the audience.
The film is better for me than the sitcom. But the sitcom is like much more practical approach, if I may say that, because of the cost. Everything costs money, a lot of people don't realize that.
Sitcom hours are silly easy compared to drama. Whenever an actor on a sitcom complains, I feel like smacking them!
Social distance makes it all the easier to focus on small differences between groups and to put a negative spin on the ways of others and a positive spin on our own.
You can crack a joke and make a person smile but it matters a lot when that's on screen. It can be a very nice joke but if you shoot it badly or the actor gets the timing wrong, it won't be funny.
I think, in a film that's supposed to last an hour and a half, I think you have to really pay attention to what kind of movie you're making, what is the audience experiencing, and does this joke fit with this joke?
It used to be that you kind of got pigeonholed into one thing - you're either a stage actor or a TV actor or a movie actor. Today, there's a lot of crossover with film actors doing television, which never happened before, so those lines are a little bit more blurred than they used to be.
It was easier to do Shakespeare than a lot of modern movie scripts that are so poorly written.
It's easier not to make a particular joke in case it offends. But every joke will offend someone, and I've always believed that the audience is bigger than one person. The danger is that things will become bland.
I think if you're a competent actor with a good imagination, and if it's on the page, it makes your job a lot easier.
I did give leg-spin a try as well. I used to play a lot of under-arm cricket in the streets of Chennai. I can spin the legbreak a mile. But when I tried it, a lot of people discouraged me saying it was very difficult.
A lot of times people come up to me saying 'oh my god you can see,' and they think they're the first person to think of that joke, but they're probably the 10,000th one to say that joke.
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