A Quote by Nicole Sullivan

It's the most amazing cast, a dream cast. We laugh all the time. — © Nicole Sullivan
It's the most amazing cast, a dream cast. We laugh all the time.
99 percent of the time when you cast right, it's a dream. If you cast wrong, it's a nightmare.
Every last cast is actually a first cast. The first cast and first chance to catch the next fish. The next time you anguish about whether to make that last cast, forget it - the anguish that is - and cast away. The next fish caught on a last cast will not be the first.
'Black Swan' was absolutely unbelievable. I had always dreamed of working with Darren Aronofsky, and Natalie Portman, Winona Ryder, Barbara Hershey, Mila Kunis and Vincent Cassel. The entire cast was really a dream cast, and it was amazing to work with these powerhouse women that I've just admired for so many years.
I had a dream cast when Dan first went off and wrote 'Ghostbusters 3' by himself. It was so long ago that my dream cast was Ben Stiller, Chris Farley, and Chris Rock. That would have been cool. Now, a lot of time has passed, and there are a lot of young funny people.
Any time you cast an actor, you don't just cast that actor; you cast all their other performances as well.
When you cast, you can't cast only visually; you have to cast emotionally, too.
If you cast your supporting cast well, it should be seamless. You shouldn't even notice who's a big part and who's a small part. A good cast enriches everything.
I got so lucky on my 'Red Widow' cast. It was just the universe looking out for me that I got those actors. It's a big ensemble cast, a very international cast. I don't know how that happened.
Every drama requires a cast. The cast may be so huge, as in Leo Tolstoy's 'Anna Karenina,' that the author or editor provides a list of characters to keep them straight. Or it may be an intimate cast of two.
Casting a film is to me one of the most important things next to the writing. If you cast it properly everything takes place very easily. If you cast it improperly you're fighting an uphill battle.
I want to cast correctly, and then I want them to live on screen. If I cast the wrong actor, I'm screwed. But, if I cast the right actor, it really works out. The casting process is so important.
First of all, when you build a restaurant of that phenomenon-I really hate that word "set" and I hate the word "cast" -it is from the most amazing health and hygiene ... properly air conditioned, properly irrigated with hot and cold running water... Obviously, FOX is paying for it, so in terms of expenditure it's far more economical and on the back of the draw were 22,500 cast. Finding 30 chefs in that bunch wasn't difficult.
I just finished 'Butter' for Weinstein, a comedy with this incredible cast - Hugh Jackman, Olivia Wilde, Alicia Silverstone - all-star cast and it was a fun set to be on. I've gotten really lucky to get all these down-to-earth cast members. 'Butter' is about butter carving in Iowa.
I just finished 'Butter' for Weinstein, a comedy with this incredible cast - Hugh Jackman, Olivia Wilde, Alicia Silverstone - all-star cast and it was a fun set to be on. I've gotten really lucky to get all these down-to-earth cast members. 'Butter''s about butter carving in Iowa.
My absolute favorite thing about working on 'Liv and Maddie' is my cast and crew. The people that I spend almost every hour of every day with. Your cast has great influence over the quality of your life, and I've been blessed with not just a cast, but a family.
'Switched at Birth' has an amazing cast, including an Oscar winner and two Emmy nominees. The writing is very innovative, and the show's producers have redefined U.S. TV by launching a mainstream show which includes multiple deaf cast members whose characters communicate only in ASL (American Sign Language).
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