A Quote by Nidhhi Agerwal

Surprisingly, dialogues haven't been a problem for me. Even in 'Savyasachi,' it was easy. — © Nidhhi Agerwal
Surprisingly, dialogues haven't been a problem for me. Even in 'Savyasachi,' it was easy.
Surprisingly, no one has ever given me double-meaning dialogues or asked me to wear clothes I am not comfortable in. Everyone has been extremely sweet with me.
I was a handsome boy, a very handsome young man, bright blue eyes, mmm. I would make trucks skid off the road. Anyway, girls were never a problem; the problem was me. But a lot of guys didn't like me because I made it look so easy, but it wasn't easy for me or anybody. When you're 24, it's not easy. You haven't reached anywhere that you want to be, so my looks helped me get in the movies, and I'm privileged that my parents came up with what I look like. What they did I'll never know and I don't care.
Wearing a tuxedo isn't as simple as it sounds. I've been to a lot of award shows in Hollywood over the years and have seen some pretty sad tuxes. It's surprisingly easy to go off the rails.
First and foremost, note that Plato always wrote dialogues, and never attempted to produce a theoretical or scientific treatise. This is a big clue for me. From beginning to end, Plato was aware of the limits of theoretical and technical reasoning, and his dialogues are a massive exploration.
And you couldn’t control who you loved, even if you wanted to. That had been Genevieve’s problem with Ethan Carter Wate. It had been Uncle Macon’s problem with Lila, Link’s with Ridley. Probably even Ridley’s with Link. Love was how all these knots started to unravel in the first place.
It's surprisingly easy to get teenagers to watch subtitles.
No one is born a terrorist, but the route to become one is surprisingly easy. We need to listen to those who have been there, and those who have made their way back, if we want to stop others from taking their first steps down this same path into darkness.
A horror film does not rely on dialogues and music. It is the sound of creaking doors, the window banging open and the build-up that is not easy to achieve.
Please explain to me what being an icon is. How do you define it? I haven't been given a script. I don't know what the dialogues of an icon are.
I have been misunderstood perhaps more than anyone else ever, but it has not affected me, for the simple reason that there is no desire to be understood. It is their problem if they don't understand, it is not my problem. If they misunderstand, it is their problem and their misery. I am not going to waste my sleep because millions of people are misunderstanding me.
'Where'd You Go, Bernadette' was surprisingly easy and fun to write because I was feeling such strong emotions.
Shatrughan Sinha's career lasted because people could imitate his dialogues. You cannot be a mass superstar if people don't imitate your dialogues.
English dialogues are always just what you need and nothing more - like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.
It doesn't upset me when people are annoyed or bothered by what may seem to them as a redundancy of topics about blacks and Latinos. As a reporter I welcome those types of conversations and dialogues. Even when it's uncomfortable, it's still necessary.
The problem - not problem, but main thing - for me has been adjusting my kids... Four-year-old twins! I'm waking up in the morning for rehearsal, taking them to school, and then having to go to rehearsal - trying to do a 15-minute warm-up, even on the subway.
It's so easy to criticize your own time, and I see that as a problem, even for myself, as a listener.
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